Pat Cuney oral history - Pat Cuney oral history

Primary tabs

  • Q: All right. So do you just want to introduce yourself to it?
  • A: Sure. Okay. So I’m Pat Cuney, and I’m 68 right now in 19-- 2017. I don’t know
  • what year it is. And we’re going to talk about the late ’60s and early ’70s in
  • my life. In those periods, I was 18, 19. I was 20 in 1970.
  • Q: Perfect. Is there anything in particular you wanted to start with or just kind of give
  • an idea of what was going on at the time? A: Well, we’re talking about activism.
  • Q: Yes. A: So I think I’ve always been an activist.
  • I was an activist in high school. I was -- well, you know, I ran for vice president of my sixth-grade
  • class. I mean, I (inaudible). (laughs) Q: Sixth grade? Wow.
  • A: So we can go back that far. Q: Really, always.
  • A: You know, it’s -- [durable?]. Anyway, so, yeah, in fact, you know, one of the things
  • I was thinking about that I didn’t even mention, I ran for vice president of the student
  • body and was in a run-off in 1972. Yeah. Q: And this was in high school?
  • A: At UT. Q: Oh, at UT.
  • A: Yeah, so I always had an interest in political activity of one sort or another, so just a
  • side bit of -- Q: Yeah.
  • A: -- you know, and the Texan would be full of that, because --
  • Q: Yeah. Okay, so I’ll look at that. A: Yeah. Anyway, so I had a really good friend
  • who once described me as having -- she -- the issue was, “Can you find two words to describe
  • somebody?” and the words that she had for me were “courage and passion.”
  • Q: Two good to have as an activist. A: Well, that’s what makes you an activist
  • -- Q: Yeah. (laughter)
  • A: -- makes you an activist, I think. Oh, I’m sorry. So --
  • Q: Oh, no, it’s totally fine. A: -- so part of my story at this point would
  • be that 20 years ago I had a stroke. It’s hard for me to talk about stuff that’s important
  • to me without having tears. Q: No, it’s totally understandable.
  • A: But [you’d be?] okay with that. I mean, it’s like -- I’m okay with it. I just
  • notice that, “Oh, where did those come from? Oh, yeah, okay, I’m talking about something
  • I have a passion about. Okay.” Q: See? It’s part of your description.
  • A: (overlapping dialogue; inaudible) Yeah, it’s part of who I am, although I think
  • it’s been more (inaudible) since after the stroke. I’m told that I used to do it, too,
  • before I had the stroke, so I have tears, and I’m okay with it. But, anyway, so I
  • just -- we were talking about motivation the other day, and I have to say that I think
  • my motivation for doing almost anything is that I don’t like something that is going
  • on in front of me, and therefore I move to change it, so -- and whatever that requires
  • seems to be okay with me. (laughs) So I’ve been a community activist most of my life.
  • I’m a community organizer, so usually I am operating out of injustice I feel is going
  • on in front of me. So I, invariably, am happy to move to change the community to do that,
  • and so, through my life, I have been -- I worked with (inaudible), the Economy Furniture
  • Strike story, but, you know, I -- beyond the ’60s and the ’70s I also worked in the
  • student government (inaudible) with a student senator. I set up the City and County Lobby
  • Committee originally, and I’ve been the chair of it -- I was the chair of it twice
  • because I was there for so long. (laughs) But, no, I mean, I organized the student community
  • to get what we wanted from the city council and county commissioners and stuff like that,
  • and that is why UT is still one chunk as opposed to having had a giant, major thoroughfare
  • put through on 26th Street, because of the lobby committee I created, and it organized
  • a thing called SUN, which was Saving the University (inaudible). So my period at UT was a lengthy
  • one. (laughs) Q: Very influential.
  • A: But it started -- well, I don’t know about that, but it started in 1967 when I
  • came to UT. But even before I got to UT, I was high school down the street at the -- at
  • Austin High School, which was then on the Rio Grande Campus where ACC is now. And so,
  • from the time were -- I don’t know -- in 10th grade, at some point in 10th grade, 11th
  • grade, we started going down to the university, my friends. My close friends and I did. So
  • we met people down there who had an impact on us because we were, what, 15 and 16, and
  • they were 20, 21, 22. So they had a lot of influence on us. Anyway, I was not -- my friends
  • and I were not the only ones who were trekking down the countryside to UT. We also had -- there
  • were other people who went, and two of them that I knew well in my class were women who
  • were both antiwar activ-- they were both antiwar people, and they were both into the kind of
  • hippie thing because of the way they dressed and stuff like that. I had not converted.
  • I was the vice president of the Young Republicans club, but I got involved with The Rag because
  • they were selling it on campus, and the administration -- the principal, I think, was Mr. Robbins
  • at the time -- hauled them in there to talk to them about how they shouldn’t be doing
  • it and how they could get expelled for doing it. But before that happened, I heard that
  • he was having an issue with it, and I said, “Give them to me. I’m selling them.”
  • Did I agree with what was in The Rag? No, but --
  • Q: (laughs) It’s (inaudible). A: -- I just -- I just really felt like they
  • should be able to sell it because, well, free speech is a major issue with me. And I think
  • a lot with my generation think -- more often than anything, I think that people responded
  • to -- we didn’t like being lied to, and [I see this?] generationally. We did not like
  • being lied to, and we had issues when people would try to shut people down, big issues.
  • So, anyway, I found myself sitting in the principal’s office with Rachel and Mary
  • having a discussion about what was -- and he did not understand how it was I had gotten
  • in there. He was really confused. (laughter) “Pat, what are you doing in here?” And
  • I’m like, “Well, you know, free speech, free speech,” and so, anyway, we wound up
  • in this whole thing with the United Civil Liberties Union and filing a Supreme Court
  • case about selling The Rag on campus. There was an actual Supreme Court case with --
  • Q: Oh, my goodness. A: -- the US v The Rag, and, actually, Mary
  • and Rachel and I are the defendants, students in high school.
  • Q: Oh, gosh. A: I think that’s -- but that was early
  • on. Q: And that was before you had even written
  • in it? A: Yes, hardly even read it --
  • Q: That’s -- A: -- because I just had an issue with that,
  • because I was raised in a really right-wing community, home. My father was reading the
  • John Birch Society over my head at the dinner table at night. I mean, I had to hear all
  • about, you know, (inaudible) call it treason. (laughs) The John Birch Society (inaudible)
  • that whole story. Q: Oh, yeah, because you had said at the time
  • -- A: I was the vice president of the Young Republicans.
  • Q: Yeah, and the school at the time mostly was for the upper --
  • A: Upper-middle class. Well, the upper class in Austin, [essentially?].
  • Q: (inaudible). A: We didn’t have that many people in Austin.
  • We were the only class at the time because they were mainly bankers and lawyers and stuff
  • like that -- Q: Okay.
  • A: -- and university professors. Anyway, we didn’t have the super rich. We had -- we
  • didn’t have dotcoms around then, so we have them now, and we have people here who are
  • super rich, but they’re not -- they were not there then. So, anyway, that’s how I
  • got involved with the first round of The Rag, and then I got to be really good friends with
  • the guy who was the president of the Young Democrats at UT at that time. His name was
  • John Lefeber, L-E-F-E-B-E-R. And John was from Galveston, and he’d been at UT, and
  • he was, you know, going about his business of being a law student, I think, at the time.
  • And he was one of the several people who were pounced on by the university for engaging
  • in free speech. So you’ll find a lot of the early part of the Left and political activity
  • at the University of Texas campus started because of the United Free Speech Movement,
  • the UFM, which was created by the university because they were trying to make people shut
  • up. Have you -- there’s a book called -- I think about it; I’ll figure out what it
  • is -- that was written about UT at the time that talks about UT in the way that the regents
  • really considered it their personal turfdom. They ran it with an iron fist. They thought
  • they owned it. I mean, they thought they owned the public education. Well, you know, the
  • students didn’t quite see it that way, and a lot of professors --
  • Q: Yeah. A: -- didn’t see it that way, which was
  • a lot of what spawned the activism, was the university’s thinking that somehow it was
  • in control. Q: Yeah.
  • A: It was really -- at the time, I didn’t even understand that level of contemplation.
  • I mean, to me, it was that the university is a public institution, state-owned, belongs
  • to the citizens. I’m there. Who are they to tell us we cannot speak?
  • Q: Yeah. We actually just read another one of -- [it’s by Gary?]. It was about sexual
  • health. I just found it interesting because it really relates to what you’re talking
  • about now, because I guess now, going to UT, it’s known that we are very liberal. We’re
  • very open to everything. We can talk about whatever, so my mindset, I think, has been
  • that it had always been that way, but then not even -- only through reading The Rag did
  • I discover that they really tried to censor y’all at the time.
  • A: It was really beyond censoring. They were hauling us in. They had little chats about
  • whether you’d care to be expelled this month or not. I mean, you know, they were on the
  • professors that supported us and (inaudible). Yeah, it was really fascism. It was.
  • Q: Craziness. A: Anyway, so there we are. I’m 17. (laughs)
  • I wander into this mess, but I was around before SDS. Well, SDS had hit about then,
  • too, so the people who were involved in the free speech movement -- most of them were
  • in (inaudible), yes, but John was not. He was with the Young Democrats. But I had kind
  • of -- because I knew him from my friends dragging me into the social scene, that’s why I knew
  • him. My biggest political change came with John, who -- well, the first -- one of the
  • first ones, because one day we were discussing the -- you know, the [lettuce?] and the (inaudible)
  • boycott by the organization of United Farm Workers. (laughs) And I -- I was a Young Republican
  • at the time -- said something along the lines of, “Why should we raise the wages of the
  • workers in the valley? Think of the price of grapefruit [in Maine?].” And he was there.
  • I was talking to him, and he had a friend with him. And they looked at me, and they
  • said, “You know what? I don’t ever want to even talk to you again. That is the most
  • inhumane, obnoxious thing I believe I have ever heard come out of anyone’s mouth at
  • any time ever. Just go away and never talk to me again.” And I was like, “You’re
  • kidding.” And they’re -- “No, we’re not kidding. You are really sickening. Go.”
  • And I was like, “Well, what did I say?” I didn’t understand what I said. So I’m
  • pretty good about the fact that when something comes up like that I really, like -- I didn’t
  • even know what we were talking about. I really cannot stand that, so, of course, I had to
  • go and research the whole thing. Q: Yeah.
  • A: And then, when I really found out about the living conditions of the valley farm workers
  • and stuff like that and the kinds of exploitation that was going on and stuff, I could see why
  • it was really a bad (inaudible) to have said something like that. (laughs)
  • Q: Just uninformed. A: I was uninformed, and worse than that I
  • was opening my really stupid mouth and sharing my uninformed opinion in public places. So
  • it gave me pause, and I began to review the entire matter, and I came to the conclusion
  • that I was wrong. And that’s good, because I would never have been involved with the
  • Economy Furniture Strike had I not fully grasped the fact that I was really wrong about the
  • United Farm Workers. So, after that, I started to participate in a lot of boycotts and stuff
  • like that and showed up. We ran (inaudible) out of town with our (inaudible) boycotts,
  • but we were happy to do it because they were bad, and they were exploiting people. I don’t
  • like -- I have a problem with that exploitation thing. I just have a problem with it. So about
  • at the same time, circling on another level, the antiwar movement was growing and developing.
  • When I was in high school -- and I’m really talking now about 1967, ’68. When I was
  • in high school, I supported the domino theory. I was in, like, the [drama?] club, the National
  • [Forensic?] League, the debate club, so it was not a problem for me to get involved in
  • these lengthy, heated discussions with issues and stuff because it was kind of, like, areas
  • I was interested in, politics. You just cannot grow up with the John Birch Society read at
  • your dinner table daily for years and not be (inaudible).
  • Q: And not be [interested?]. A: Well, no, you have a father who’s over
  • there spouting stuff, and you really want to actually turn around and say, “You know,
  • that’s crap, because blah, blah, blah, blah, blah, blah, blah, blah, blah, blah,” or
  • else you get drowned, you know. So, anyway, I wasn’t going to be drowned. So, anyway,
  • the antiwar movement is going on. Well, I was in favor of the domino theory when I was
  • in high school, which -- I don’t know if you’re familiar with that. (inaudible) theory
  • was that if Vietnam fell to Communism, so would Laos and Cambodia, and I thought that
  • that was true. And the antiwar movement in its early stages was -- disagreed with that,
  • because (inaudible), “No, this is just Vietnam. It’s just confined to Vietnam.” But I
  • think what eventually turned my perspective on that was I really ceased -- when I started
  • finding out a lot about what was going on in the war, which was not being told to us
  • -- I mean, you cannot imagine this, because if you had been -- your generation has not
  • sat every friggin’ evening, 5:30 in the afternoon, in front of the television set
  • in the student union watching caskets come home. No, I mean, they --
  • Q: (inaudible). A: -- we used to see -- with Dan Rather and
  • before that with Walter Cronkite, we sat and watched the war in Vietnam in front of our
  • very eyes. I mean, we watched it. I mean, the picture of that child burning in napalm
  • when they dropped napalm on her is one of the most famous pictures ever. That was part
  • of our daily diet, 5:30 in the afternoon. A whole bunch of people would gather in the
  • student union, upstairs in the union, and there was a big lounge, a big public lounge
  • with TVs, and we would watch Walter Cronkite, 5:30, CBS. Anyway, so we are watching the
  • war, and we are being hit with the draft. And around us the guys we know are deciding
  • that they’re going to join, deciding that they’re leaving, that they’re going to
  • go live in Canada for the rest of their lives, deciding that they’re going to become gay,
  • deciding that they’re going to slice off a foot, a hand, or whatever, anything to keep
  • out of the draft -- Q: Yeah.
  • A: -- trying to figure out, you know, which way, how they can escape the entire thing,
  • because it is relentless. It’s like it starts out, and it gets worse and worse and worse
  • and worse, and pretty soon it’s a lottery. And, you know, it’s like -- it is relentless,
  • and there is no way out except, of course, if you can buy your way out, which (inaudible).
  • Q: Was it most of your classmates and stuff that would have to go?
  • A: Yeah. Sure. I mean, I’m 17 and 18 and 19. I mean --
  • Q: You’re right in the prime age of -- A: Right there, yeah, I am, and the kids that
  • are older than I am have either come back from Vietnam themselves, or they also are
  • caught up in that. I mean, we’re right -- I’m -- in 1968, I’m 18, and that is this -- everybody
  • around me is dealing with the draft, all the guys are. All the guys are, not the women
  • but the guys. So the war begins to take a huge -- it’s no longer an intellectual issue
  • and whether or not there’s a domino theory. We don’t care about the domino theory anymore.
  • What really begins to happen is we begin to see the terrible cost of the war, how badly
  • it’s affecting our generation, and also that we’re on the wrong side, really. (laughs)
  • What we finally begin to figure out is that we should have been supporting Ho Chi Minh
  • all along, not the French, not the [imperialists in Indochina?], not, you know, the American
  • rubber companies who wanted the military to go in and support them so they could control
  • all the rubber for their tires, and (inaudible) bicycles and cars at the time. Probably, if
  • we’d been as well educated as we are now about consumerism, we would have just sort
  • of said, “No cars, no bikes, no tires, no rubber.”
  • Q: Yeah. A: But we didn’t. But we did get really
  • aware of the fact that there was absolutely no reason for the United States to be involved
  • in Vietnam to begin with, and if we were going to be there we probably should have been on
  • the side of the nationalists as opposed -- who were trying to expel colonialists instead
  • of being on the side of the people who were trying to, you know, maintain a Catholic dictatorship
  • over the people. So that began to turn, and then we were being asked to give our lives
  • for it. I don’t think so, so we hit the streets. For myself, I did a lot of organizing
  • once again, so I -- we had a Gestetner. (laughs) It’s this elderly -- okay, you don’t know
  • about (inaudible). Okay. Q: Yeah, I don’t (inaudible).
  • A: (laughs) Okay. When we wanted to make copies of things, we had this machine, and you had
  • to prepare this legal-sized film that fit over our piece of carbon, sort of, plastic.
  • So you had to take it and load it into your typewriter and type it with an old typewriter,
  • not an electric -- not an electric, a regular -- you’ve seen them.
  • Q: Yeah. Yeah. A: It’s the one in antique stores, right?
  • Q: Yeah. (inaudible). A: Okay, so we’re punching the pattern of
  • the keys into this stencil, and then you take the stencil and you put it on the machine.
  • You must be sure it has the right amount of ink in it, and then you just start cranking
  • it manually. I probably singlehandedly put out something like 100,000, maybe even a million
  • flyers myself because it turned out I was one of the few people who (inaudible).
  • Q: And each flyer you had to do, crank each flyer out?
  • A: Each flyer out. Q: Wow. Impressive.
  • A: It did not go through the (inaudible) machine, put them in (inaudible). You had to literally
  • crank them out. Sometimes, later, we got ones that were electric, but at the time it was
  • like -- you cranked it out, I mean, just like this, just ch-ch-ch-ch-ch-ch-ch. It was -- the
  • early Rags even came out that way. (laughs) It was before we got printing involved. For
  • The Rag, they were doing that, but over the years I probably put out a million flyers,
  • because I started in ’67, and I didn’t finish until -- (laughs) I think the last
  • flyer I put out was today. I’m helping to organize the union where I work. Anyway, I’ve
  • decided I want to expand it as my current “bloom where you’re planted” theory.
  • But, anyway, so I did (inaudible), and then we also found out that theatre was really
  • effective. So I organized the Bertolt Brecht Traveling Guerrilla Theatre Troupe [sic].
  • And before every rally or every (inaudible) march or rally we wanted to create, we --
  • Q: What was that called, the -- A: Here it is. Here it is, right here.
  • Q: Oh, okay. Perfect. A: (inaudible). Anyway, we would do theatre,
  • so that was my thing. I organized that. Here we go. And this is actually me.
  • Q: Oh, perfect. I’m just going to circle you.
  • A: That’s me, but there was a whole collection of us. This is a nice picture that [Ellen
  • did?]. Q: That is awesome. And y’all would just
  • do -- A: We would do skits. We did skits about the
  • lettuce boycott. We’d do skits about the war. We did skits about the impact on the
  • country. We did skits. We did skits. We -- my favorites were -- we would have -- we had
  • to create a situation, because we had -- some people were students, and some weren’t,
  • and some were -- so, sometimes, people who were not students at the time would come in
  • and participate in the skits. But, you know, we had to, like -- (inaudible) was available
  • for classes at the time the rally was going to be held.
  • Q: Oh, yeah. A: So we had several formats that we used.
  • We used some -- one person was the interviewer from -- we used different things, but my personal
  • favorite was also always Radio KOMY, the red dot on your dial. But we did K, which was
  • the hot dot on your dial, (laughs) because radio was still around then in a serious kind
  • of way, and television too. So when we wanted to do television, we were like this, and when
  • we were doing radio we were just like this. So we would just step out, and we did guerrilla
  • theatre, which is distinguished from regular theatre by no written scripts.
  • Q: Oh. A: You can do it anywhere at any time, and
  • the purpose of it is to involve the audience. So people always stopped to watch theatre,
  • and we got really very good at just stepping on the West Mall and doing it.
  • Q: That’s awesome. And that as just a form of raising awareness for the rests of the
  • students? A: Oh, yeah. So before they -- (laughs) they
  • plastered over the West Mall. They made it -- yeah, it’s asphalt and concrete. It’s
  • all concrete now. It’s like -- there’s no grass out there because of our --
  • Q: Oh, yeah. A: -- frequent and often use of the West Mall
  • because it was grass when I was there. So that’s where people would stop and sit and
  • watch, and pretty soon, you know, there were a couple of hundred people, and sometimes
  • bigger numbers. And then, we all had [to move around?]. I mean, the biggest march I think
  • we ever created was one that was 25,000 people. I helped organize that one, and we marched
  • all the way around the university, came back up Guadalupe, and went around the corner at
  • MLK, turned, and went through the capitol to the capitol grounds. The police tried to
  • stop us at the corner of MLK and Guadalupe. (laughs) They had sheriff’s deputies, like,
  • lined across the thing. But my boyfriend and I were in the front of the crowd, and we had
  • an NLF flag, which was the flag for North Vietnam. And we just cut right through what
  • was a gas station then, and the whole 25,000 people shifted, and we just marched right
  • by the police who -- it had never occurred to them that we would watch across the gas
  • station to (inaudible) instead of going through them.
  • Q: (inaudible). Yeah. A: It was kind of funny.
  • Q: Do you happen to remember what that march was for?
  • A: Yeah, it was against the war. Q: Okay, antiwar march.
  • A: I don’t remember whether it was Cambodia or around the National Guard killing students
  • at Kent State. But I do think it was in ’70 or -- yeah, I think it was in 1970, the Cactus,
  • once again, and the Daily Texan (inaudible) sources for you to look into that. Anyway,
  • that was a great moment. I was later in the sheriff’s training school in my early thirties
  • because Margaret Gómez, who is a person -- who is a county commissioner now, who was a -- she
  • was a constable then in the early ’80s -- hired me to come into her office part-time in a
  • deputy constable position to assist her staff in learning how to do word processing and
  • spreadsheets and database management, which was brand-new in the early ’80s, brand-new.
  • Nobody knew about it. I mean, I happened to be in a place where I said, “Okay, I’m
  • going to learn about this,” but they didn’t. The whole county wouldn’t (inaudible) these
  • -- nobody had personal computers. Nobody had them. I mean, a PC was not a thing you had.
  • The discs were, like, nine-inch discs, floppies, on these computers. But, anyway, so I had
  • to go to pig school, the sheriff -- because I was in the position, [it was classed?] that
  • I was a deputy constable part-time, but they made me go to the police academy, sheriff’s
  • academy. Q: Was there no conflict between being in
  • the police academy and an avid activist? A: No. But what was interesting was -- so
  • I got there, so I’m now talking to the people that I was meeting on the corner of MLK and
  • Guadalupe that very day -- Q: Yeah. Yeah. (laughs)
  • A: -- so we actually were able to sit down and say, “Well, yeah, I was there that day.
  • Here’s what I remember about it. (laughs) Yeah, you guys were really stupid. You took
  • --” I said, “What kind of tactical (inaudible) was that?” So that’s Austin for you. Anyway,
  • that just -- and that was, like, 10 years later, 13 years later. Anyway, but we were
  • all there, the police, the hippies, and so forth. (laughs) It was a whole [scene?]. Anyway,
  • so the war was going on, and the theatre was what I put most of my energy into when I wasn’t
  • standing over the mimeograph machine running off flyers. And on the side -- on the side,
  • the women’s movement also started getting organized, I think, in ’68, and I was 18
  • then. I was not in the first meeting of the Women’s Liberation Front, but I was in the
  • second one, and I was at all the others after that -- well, maybe I missed a few here or
  • there, but I’m just saying. And I -- it was, like, [awesome?]. We formulated a strategy
  • of talking to people on campus, and I’m (inaudible) remember this.
  • We had a basic discussion about the three roles that women played in the culture and
  • what kinds of limitations they had for women and what kinds of limitations they had for
  • men, because we did grasp even then that liberation -- the liberation concept -- that sexism was
  • oppressive to men as well as to women, although it was particularly oppressive to women. But
  • the men did not escape it just because they were privilege, that male privilege did not
  • keep them from being limited also and constricted by the roles that were set up for them. However,
  • when we went out to talk to other -- we talked to students all across the campus, and the
  • focus was -- (inaudible) was that women played three roles. They played the roles of mothers,
  • sex objects, and support personnel -- secretaries, typists, housekeepers, house cleaners -- and
  • that that was really not a very effective use by the society or the culture for the
  • energy of a bunch of really intelligent people. So, anyway, that was a focus on education
  • for a long time, and then the women (inaudible) with the women’s liberation front also got
  • involved in the abortion issue. Now, I personally -- when I was 16 or 17, 1966, I think, I wrote
  • a state to my state rep at the time protesting the illegality of abortion, and my position
  • at the time was that it ought to be legal in the cases of rape, incest, and danger to
  • a woman’s body or a woman’s life. And I got a very nice letter back from my state
  • rep at the time saying, “No.” Q: Oh.
  • A: I have it someplace in my -- I have a couple of things someplace. I have a picture of myself
  • wearing a skirt that’s, like, down to the top of my panties -- the bottom of my panties
  • at the Economy Furniture Strike where I was there that day, and I have another pi-- I
  • have a picture of myself, and then I have a copy of -- I have -- not a copy. I have
  • a key to the city that was given to me by the city council at one point when I left
  • and went to Europe and came back. But the -- (laughs) it was given to me by the city
  • councilman who soon, eventually, resigned because he called the police out to his house
  • when he was -- had snorted too much cocaine and was chopping up his hose because he thought
  • it was a snake. (laughs) Q: Oh, my gosh. What?
  • A: That city councilman engineered my getting a key to the city of Austin --
  • Q: For -- A: -- for my good work as a lobbyist, because
  • they had missed me while I had been gone to Europe. So when I came back, they gave me
  • a key and a resolution that was passed with my name on it by the Texas House of Representatives
  • (inaudible) me as an honorary young Texan in 1972. And that was actually because I worked
  • on the Farenthold campaign for governor. Q: On which campaign?
  • A: Farenthold, Sissy Farenthold. Q: Oh, okay. Yes.
  • A: It’s F-A-R-E-N-T-H-O-L-D. It’s, yeah, Farenthold, gubernatorial campaign. She ran
  • against Dolph Briscoe. He won. (laughs) Q: Oh, yeah.
  • A: And she ran in ’72, and she ran again in ’74, but I worked on the ’72 campaign.
  • And the other thing I haven’t (inaudible) copy of is the letter I got back from the
  • state rep about the [abortion?] (inaudible). Q: Oh, yeah.
  • A: My historic documents. (laughs) It’s my historic documents file. Anyway, so I did
  • -- I got involved with the women’s movement, and we basically, you know, did education
  • on campus, and then we got involved with abortion. And we got involved with assisting women going
  • to Mexico to get abortions when it was illegal. And we were escorts, you know. I was not directly
  • involved with that particular part of it. They probably thought I was too young or too
  • stupid or possibly even -- who knows. But the women who were a little bit older than
  • myself -- this would be Judy Smith, (inaudible) -- would escort women, help women arrange
  • to get abortions in Mexico, and they would escort them down there. So we did a lot of
  • that. Q: That’s crazy.
  • A: It was a whole trip. I mean, it was really illegal, and it was really hard. I mean, I
  • went with a girlfriend of mine who got pregnant and needed to get an abortion, and the whole
  • thing was just totally neurotic and really hard. I would not wish that for [any of you?]
  • ever. Q: Yeah. There are so many things that I can’t
  • personally even imagine, having to go through the lengths that y’all went through.
  • A: Did. Q: Yes.
  • A: We did go through lengths. Then, also -- of course, you know, for us it was interesting
  • because I was -- as I said, I was 18 in 1968, and, you know, suddenly the pill was there.
  • Q: Oh, yeah, that’s when that came out. I remember.
  • A: Yeah, we should talk about that too. Q: Yeah.
  • A: The impact on us. So we all, you know -- (laughs) I remember I went to go get the pill when
  • I was 17 from my lifelong doctor at that time. And I really went to get it for something
  • to do with, I think, complexion issues. And my doctor wouldn’t give it to me because
  • he was afraid it would make me promiscuous. Meanwhile, his daughter was being escorted
  • to get an abortion. I mean, you know, it’s like, give me a break. (laughs) So I left
  • my doctor and found another one who would give me the pill. So this is just -- it’s
  • my interview, so I’ll go ahead and just add this piece. (inaudible) over here. So,
  • you know, when I was 13, I had this bizarre conversation with my father. I guess it wasn’t
  • really bizarre, but it was an odd conversation. When I was 13, my father said to me, “Patricia,
  • you know, sex is really important in a marriage.” I have to just say at this point in time,
  • for all intents and purposes, I was a tomboy, and I was climbing trees, and I was not even
  • interested in boys. But my father [picks?] this moment, for whatever reason, to have
  • this conversation with me, so he says -- so he said, “But you have to really know what
  • you want sexually before you --” he said, “You really have to know what you want sexually
  • to be satisfied.” And I was like, “Uh-huh.” And so he said, “So the only way to really
  • know what you want is to experiment.” And I’m like, “What? What?” (laughs) The
  • pill is not out either, I might point out. Okay, I’m 13. All right. It’s 1963. My
  • father says, “So I just want you to know, when you feel like it, just go out there and
  • experiment. And if you get pregnant --” I thought, “If I get pregnant?”
  • Q: You’ve got to go to Mexico. A: What? No, this is -- I’m 13. I don’t
  • know about Mexico. (laughs) I didn’t know about any of this. This is even before I wrote
  • the letter to the state reps. I said, “What?” He said, “Well, you know, if you get pregnant
  • out there experimenting,” [he meant?], “you know, you can have an abortion. We’ll support
  • you in that, or you can marry the guy if you want to, or you can give the baby up for adoption,
  • or, you know, you can raise it yourself. We’ll support you. We’re there for you. Just let
  • your mother and I know that you’re pregnant, and we’ll help you take care of it.” (laughs)
  • You know, deep within me, my resolve was clear. Nobody is going to put a hand on my body until
  • I am 18, and they had better be prepared with a ring on the spot, because I am not, not,
  • not going to find myself pregnant. No, no, no. We’re too loud?
  • F1: Hi, [guys?]. Yeah, the rooms aren’t soundproof, so --
  • A: I’m sorry. F1: -- (inaudible).
  • Q: Thank you. A: (inaudible) [help me?]. Okay, anyway, so
  • at that moment I knew I would be a virgin until I was at least 18. And the chances of
  • my ever (inaudible) and finding out about what I wanted sexually were minimal. Things
  • changed, but it’s not (inaudible) where that left me. And that was a very unusual
  • conversation, I think, probably for that time. My father was a very unusual man. That (inaudible)
  • [true?]. Q: Yeah, he seems very, very supportive, very
  • supportive. A: Well, he was. Let’s just contemplate
  • that when I was 18 my father was running a local bar where they had go-go dancers, and
  • he was making the costumes. Okay, I’m just saying -- [this is?] my life, so (inaudible)
  • an unusual father here. But, anyway, so this is going on (inaudible). So we are over here
  • to [contemplate this?], we were over here taking our birth control pills, having sex
  • with whoever we wanted to whenever we wanted to have it, and at the same time Erich Fromm
  • has come out with this book -- F-R-O-M-M, F-R-O-H-M, maybe -- anyway, has come out with
  • this stupid book in which he explains how, since the more -- since we only have sex with
  • intimate -- people we have intimate relationships with, the more intimate relationships we have
  • -- no, the more sex we have, the more intimate relationships we’ll have. This is very appealing.
  • “Well, I guess we should all have these deep, intimate relationships.”
  • And then, there’s Robert Heinlein over from the side writing, from Stranger in a Strange
  • Land, these whole bizarre stories about, you know, the original tribal operations where
  • we just all lived together and would sleep together, and we’d just go about our business,
  • you know, raising our kids together, communes. The original commune, I think, comes out of
  • Robert Heinlein. He actually came to UT one time as a speaker. I actually met him. I was
  • quite interested in what he’d had to say, and then he said, “And so are you going
  • to come home with me tonight?” And I said, “No, I’m not.” And he said, “Well,
  • there’s no point in talking to you anymore if you won’t fuck me.” And I said, “I’m
  • not going to fuck you.” Q: Oh, bold.
  • A: And after that, I can tell you Robert Heinlein was no longer on my list of favorites, but
  • he was so crass, and he was older, too. I mean, really, what do I want him for? I had
  • all these other guys. Q: (inaudible).
  • A: So we were all busy. Many of us got into permanent -- you know, got into relationships
  • that were monogamous, but many of us did not. We just kind of slept with whoever we wanted
  • to whenever we felt like it. It’s kind of like y’all are doing today, but the prices
  • were not so high for us. We used to just get venereal diseases. Y’all can [die from them?],
  • so we worry about you. Q: Fair. (laughs)
  • A: We worry about you. We worry about AIDS. We do not worry about syphilis so much. We
  • worry about AIDS. Okay, so there -- so with the women, we also did theatre around, and
  • we had a really great piece that we did. I really liked it, and I remember doing it for
  • the city council one time in the middle of W Mall. The city council was having a meeting
  • there, and on their way in and on their way out a few girls of us -- a few of us girls
  • got together, and it was a nice piece. Three people get together. They get on their hands
  • and knees, so they’re -- and they’re together, right, so they’re a bench. And the fourth
  • person, a woman -- the other three are women, too. The fourth person, a woman, starts telling
  • her story about how she found herself pregnant and the choices that she had in front of her
  • and how she would be dealing with that. And then, so she started out talking about, you
  • know, “I was minding my own business. I was in the doctor’s office the other day.”
  • So she throws herself across the bed, lies back, and the doctor appears, right, and opens
  • her legs, and looks in, and says, “My dear, you’re pregnant.” And the whole table
  • underneath her collapses. She gets up, and the whole table collapses. “Pregnant,”
  • it all screams. So then she moves into, you know, her choices, and her parents show up,
  • and they have a whole story going. But it moves the discussion around into “It’s
  • our choice.” It’s a pro-choice piece, and we did that for a while. And my favorite
  • theatre I think I ever did -- as the war continued, we went down to Congress Avenue one day. I
  • think this was for May Day. A bunch of people, about 100 people, left Texas and went to Washington,
  • DC, to demonstrate there. But back home, we did not let this -- we did not let the fact
  • that everybody was in Washington bother us. I was still at home, so we did some theatre
  • in the middle of the Capitol Rotunda, and it was an antiwar piece about the four horsemen
  • of the apocalypse. We put people wearing black with scythes and white masks on every corner
  • of Congress Avenue, and we were at 4th and Congress where there was an Austin American
  • Bank -- I think it was -- at the time. I dressed up in a dress and heels and hose, and one
  • of my associates, who was an antiwar GI, got on his corner, and he was talking about the
  • war. And he’s got -- you know, because [it’s?] clear you were doing theatre because the death
  • masks are up and down and around, so I’m walking by, and I’m observably walking by.
  • And I stop to listen, and, you know, I figured out how to do this so that I’d get their
  • attention, so -- and I start, you know, in with him, like, “Well, what the --” you
  • know, and so he’s very gentle and nice and so forth. And I’m just a screaming harpy,
  • but, you know, we very effectively (inaudible) about 200 people on this corner of Congress
  • Avenue. Traffic is being stopped, you know, (laughs) so people can’t get by. Everyone
  • is crowding in, and we were so good at what we were doing that finally people started
  • screaming at me, basically, “Shut up, you bitch.” (laughs)
  • Q: (inaudible). A: It was so bad. I mean, we had to actually
  • -- when we got through with the theatre piece, we had to debrief them. “No, this -- it
  • was theatre. It was really -- it’s really okay.” (laughs)
  • Q: Yeah. A: “[You’re?] okay,” because they were
  • ready to take me out to shoot me because, you know, I was (inaudible) all the stories
  • and all the lies that we were being told by the national media and the politics of the
  • time. Anyway -- Q: So you’d say that theatre piece was combating
  • just -- A: The war.
  • Q: -- the war in general. A: The war took up a lot of our time and energy
  • because it was so incredibly wrong, and it was taking its toll on us generationally,
  • and so many lies. I mean, we had a great quote that we used for a long time, which is, “The
  • brass is the ass of the ruling class.” And we used to chant
  • that when we were marching. Q: What does that mean exactly?
  • A: It means that the military is used by the ruling class to conduct the business of the
  • ruling class and protect its interests abroad. That is the purpose of the United States military,
  • and I do not -- I’d like to just say that that would be my contemporary, my current
  • position as well. Q: (inaudible).
  • A: So it’s been really, I mean -- but y’all are not seeing the war in Afghanistan on a
  • daily basis. Q: Yeah.
  • A: You’re not seeing -- coming home in caskets, you know, when this week [makes?] an announcement
  • that there were three people -- on television, on the Sunday morning (inaudible) announcement
  • there were three people killed in Afghanistan this year. You’d see their names and where
  • they came from. You do not see their faces. You do not see their caskets. You do not -- you’re
  • not there when they returned. We saw it, and we saw casualty after casualty.
  • Q: (inaudible). A: We lost in that war, my generation -- my
  • immediate generation lost 55,000 -- 53,000 people killed. I think it was not quite as
  • high as the Civil War, which was 55,000 killed on both sides. And we also got another 300,000
  • people who were maimed, disabled in one way or another. That’s a huge -- a huge (inaudible).
  • Q: And that was a lot of your generation personally. A: That was my -- it was. Yes, it was people
  • -- Q: Yeah.
  • A: -- who were five years older and five years younger because it went on for so long. Ten
  • people -- 10 years, you know, of people just wiped out of the database, just gone, DOA.
  • So (inaudible). Anyway, so at some point I made a transition -- and I worked in student
  • government, too, I was going say, because -- let’s talk about (inaudible) first.
  • Q: Yeah. A: So after my little round with David and
  • John about the finer points of United Farm Workers, my friend Jeff Jones got elected
  • student body president. I remember when Jeff was elected it was -- you know, he was, like,
  • the radical student body president. It was, like, this big deal. I think it was in ’69.
  • Anyway, so I was not here. I was in Boston. I went to Boston in -- sometime in 1970. It
  • must have been in ’71, because I wrote this article in 1970. I went -- yeah, I went in
  • ’71 to just experience life in the Northeast. And while I was there, I had the opportunity
  • to have the FBI on my doorstep. (laughs) Q: Oh, wow.
  • A: Yeah. It was kind of a funny story. I went to live with a friend of mine who had been
  • -- she was an activist also in Pittsburgh, and then she had moved to Boston to go to
  • college, to go -- to work on finishing her degree. And I went up to live with her because
  • she was in Boston, and I had never lived in Boston. I wanted to see what that was about.
  • So Anne and I and another woman, Betsy, are living in our little house in Brookline, and
  • one day the landlady’s -- I can tell this story. It’s 50 years later. One day, the
  • landlady’s son comes over and says, “Listen, you all have to be really careful,” and
  • we’re like, “Why?” And he said, “Well, the FBI has come to see my mom,” and his
  • mother is an old Jewish lady, and she’s got prison -- I mean, she’s got concentration
  • camp numbers on the inside of her arm in blue. Q: Oh, (inaudible).
  • A: You know? So she’s Jewish. She has escaped from the Nazis, and now she has the FBI on
  • her door wanting to talk to her -- Q: What a life.
  • A: -- about the 20-year-old girls who are living in her house or whatever. (laughs)
  • And upstairs were six law students who were going to Harvard, and the bottom were three
  • local activists, one of whom was going to Boston University. Anyway, you know, it was
  • really bizarre. So he came over and said, “Listen, you know, you need to know about
  • that.” So we’re like, “Oh, okay.” But in the same week, I -- oh, one of our
  • friends had a band, and he wanted to practice. And we had a basement, these beautiful old
  • mansions with these deep basements that you find only in the Northeast. So I said, “Well,
  • I’ll go ask the neighbors.” So I went from neighbor to neighbor, so the one -- the
  • woman across the street from us was like, “No, no, you don’t want to do that.”
  • And then, we later found out that the FBI had the guy up on the second floor, and he
  • had, like, binoculars and cameras and was picturing -- taking pictures of everybody
  • who came in and out of our house. Q: Oh, my goodness.
  • A: And I went next door, and I said, “So can our friend -- we want to have our friends
  • use our basement to play their music, and would that be okay? And if it’s really too
  • loud or something, just let -- would you let us know?” “Oh, I don’t think you should
  • do that.” “Why wouldn’t we do that?” (laughs) “Well, because it might not be
  • safe.” “Why wouldn’t it be safe?” I mean, it was this whole (inaudible) until
  • finally somebody spit it out. “Well, the FBI came to see us about you.” But, you
  • know, I figured out it later. We thought it was because of our political activities, because
  • we were a stop for people going -- we were a place, an inn for people going from Texas
  • to Boston and other places, some other friends, on their way to Canada to meet with the Vietnamese
  • and stuff. But later, I think, I worked in a gynecologist’s office in Boston while
  • I was there, and about six blocks away from our house there was a house with other activists
  • who engaged in military -- in arms. And eventually, they busted them for possession of firearms.
  • Q: Oh, okay. A: But -- and I’ve often wondered -- I thought
  • about it later, and I thought, “Well, maybe it’s because I walked --” that I might
  • have walked down that street or something that they thought there was some -- you know,
  • some connection. Q: Yeah.
  • A: We didn’t know them, and we never met them, fortunately for us.
  • Q: Yeah, fortunately [for you?]. A: But, you know, we’re sitting there in
  • Boston thinking, you know, “We need to --” so we’re calling the ACLU saying, “You know,
  • we have the FBI over here bothering us. Would you -- can we talk to you about this?” And
  • they said, “Well, you know, if they come and do anything, call us.” “Okay.” But
  • I thought that was kind of [funny?]. But I don’t think it was becau-- it’s hard to
  • say. I don’t think it was because of our political activity. I think it was because
  • we were down the street and around the corner from people who actually were engaged in (inaudible).
  • Q: Yeah, and you both had the activists going on.
  • A: Yes, (inaudible), so -- yeah. Q: Yeah.
  • A: So, anyway, I was in Boston for a while, and I did some interesting things there. I
  • went to -- I went down to Yale, to New Haven. They had the trial of Bobby Seale and Ericka
  • Huggins who were well-known black activists at the time. I thought it was really funny.
  • While I was there, I met several people who were involved with the Weather Underground,
  • but, you know, it was the stupidest thing I’ve ever seen in my entire, whole life.
  • I’ll never forget it. We walk into this house, my friend and her friend who’s introducing
  • us to people, who knows these folks. So we go in, and not a single person -- not a single
  • person -- these are all people who the [FBI is really after?]. This is the infamous Weather
  • Underground. They will wind up, all of them, being pursued by the FBI before the next five
  • years have passed, and nobody says, “Well, who are you, and where are you coming -- where
  • did you come from?” except for Jerry Rubin, who said, “Who are you, and where did you
  • come from?” And I said, “Well, I’m here from Texas, from Austin.” He said, “Well,
  • really? So do you know --” and I’m like, “Yeah, I know blah, blah, blah, blah, blah,”
  • so it was okay. But he was the only one who stopped to even ask me anything, you know.
  • It was so bizarre. Anyway, so I did kind of that, and then I came back to Texas, and I
  • worked -- so I started working, came back to Texas. It was [still in?] ’71. Let’s
  • see. I don’t know. I ran for the student -- I think I ran for the vice presi-- you
  • know, unexpected vacancy, and the guy who was the president of the student body at the
  • time said, “You should run.” So I said, “Okay,” so I did. We were -- we didn’t
  • (inaudible) years, and I lost, although I was in the runoff. I was the first woman to
  • run -- who had run (inaudible) since Liz Carpenter --
  • Q: Oh, wow. A: -- who was -- she ran with LBJ when he
  • was -- Lyndon Baines Johnson was president of the student body at UT at one point, and
  • Liz Carpenter was the vice president, and she won. I think she won.
  • Q: So you were the first to run, and then she was the first to win.
  • A: She was the first to run and win. Q: Oh, okay.
  • A: But no woman had run for president or vice president in the previous 20 years. So when
  • I ran, I lost, but the year after, two years after, another woman who was supported by
  • the same guy, Carol -- I want to say Carol [Cromwell?]. No, it’s Carol Crabtree. She
  • won. She ran and won, so it could be done. Q: So was it around this time that you got
  • involved with the Economy Furniture Strike? A: Oh, the Economy Furniture Strike. So I
  • was involved with them before I went to Boston, and I was involved with them for several years.
  • So Jeff was the student body president, and we went out -- I found out about them from
  • Suzie, who was doing the community involvement committee for his -- for Jeff. And when I
  • went and met them and found out what was going on, I was very impressed with what a great
  • struggle this was. This was, like, (inaudible) -- well, you saw the movie, so it was really
  • poor people dealing with an oppressive situation where they wanted a union, and it wouldn’t
  • be recognized. And lot of others forces in the community supported the owner as opposed
  • to supporting the workers, and I just thought it was appalling. It was -- it was such a
  • -- it wasn’t just about more wages. It was also (inaudible) about racism, and I was just
  • appalled. So I formed a thing called Students for Strikers, and we organized people to go
  • out and do strike support, which was a -- so I went out and did quite a bit of it myself.
  • I spent a lot of time in the picket line and knew everybody out there really well and personally.
  • And then, I helped take those people and get them back [to the school?]. One of the stories
  • that I really have loved a lot was -- there was a woman that was part of the workers and
  • was part of the strike operation, Delia Botello, B-O-T-E-L-L-O, D-E-L-I-A, and --
  • Q: I’m sorry. One more time. A: Delia Botello, D-E-L-I-A, Botello, B-O-T-E-L-L-O.
  • And it was -- I got Delia to agree to come in and talk to the student organizations on
  • campus, and at that time there was the Mexican American Youth Organization, which was a little
  • more radical, and there was the Mexican American Student Organization, which was very bourgeois,
  • you know, middle-class families try to get their [kids support?], whereas MAYO had people
  • who had mixed (inaudible) backgrounds but were all focused on scholarships and everything
  • else to move forward as well. So I took Delia to it, and as we were walking across campus
  • she said -- [wow, this was great?]. We’re walking across campus to the meeting, and
  • she says, “Pot,” because she didn’t know how to say “Pat.” She pronounced
  • my name “Pot.” She said, “Pot, I just don’t know if I can do this.” And I said,
  • “What is the problem, Delia? It is your story. All you have to do is tell it.” She
  • said, “No.” She said, “I don’t know any ten-dollar words,” and I said, “You
  • don’t need any ten-dollar words.” But she was so afraid of (inaudible). (crying)
  • When we got to the meeting, she started speaking, and she moved the entire room so powerfully.
  • They all packed -- they all agreed that they would go out to the strike lines and take
  • a picnic the next weekend. (laughs) But they were really very impressed. One of the people
  • that was involved in that operation was Amalia Rodriguez-Mendoza, who is our current district
  • clerk, so I knew Amalia for many years, well, after that. Also at the strike line I ran
  • into Richard Moya, who later became the county commissioner, and Margaret Gómez, who is
  • the current county commissioner. Margaret and I have been friends since that period
  • of time, which is how it was I wound up working for her in the early ’80s helping her staff
  • learning how to kind of automate.
  • Anyway, so longtime friendships and relationships came out of the relationship with the Economy
  • Furniture Strike, which changed the course of Austin’s history, because what it did
  • was -- I mean, the people in the community -- the Economy Furniture Strike video that
  • you saw features properly the people in the Economy -- people who were at the strike and
  • who worked on the strike and stuff like that. But they were impacted a lot by their involvement
  • with the students because we had that -- because we had that relationship and because, in some
  • ways, I had that relationship. I’ll just say it. I mean, I was not the most important
  • person in any of the stories, but I was the bridge person because I had the personal relationships.
  • I was, like, (inaudible) the student community out at the strike line a lot, [going?] a lot.
  • So, consequently, they knew me, and they trusted me, and I knew them, and I trusted them. So
  • when we started talking about others things like, you know, “Would you support our candidate
  • for county commissioner, Richard Moya, or Johnny Treviño or whatever?” I could say,
  • “Yes, we can do that,” and I could go back to -- because my friends were the president
  • of the student body and stuff like that. And I could go back and say, “Let’s do this,”
  • and they would (inaudible) do it.
  • And about the same time, kind of from the side, other people like Peck Young, who’s
  • currently the director of policy at ACC, were also getting involved and trying to figure
  • out how to organize things politically, and the Democratic Party was very interested in
  • trying to (inaudible). And we’re kind of out of the war now, [getting out of?] the
  • war -- no, we’re still -- I’m sorry. We’re still heavily into the war. So, because of
  • our involvement with the strikers, they wound up having their own thing on Chicano Huelga,
  • a strike, a moratorium, a march. It was, like, 5,000 people, which was -- so the Hispanic
  • community, which has not been heard from ever, (laughs) puts 5,000 people in the streets
  • marching against the war, not with the students, their own -- their own thing.
  • Q: Yeah, I was curious about that, how -- so the Chicano movement had its own thing going
  • on, but they also were standing up for antiwar as well.
  • A: Yeah. Q: It was two separate but -- okay.
  • A: Yeah, that’s it. As they become more political, they became more political, and
  • then people like Richard Moya and Johnny Treviño, Margaret Gómez, Gonzalo Barrientos -- I worked
  • on his campaign in ’72 as well as Sissy Farenthold’s.
  • Q: On his campaign? A: Gonzalo Barrientos. He was a state senator
  • for a long time. He just recently retired. Yeah, Gonzalo, B-A-R-R-I-E-N-T-O-S. We’re
  • still good friends. (laughs) When Gonzalo got ready to run his second campaign -- he
  • lost the first one for state rep and got ready to run the second run, and he showed up at
  • my house at, like, ten o’clock in the morning one Saturday because the man I was sleeping
  • with was somebody he wanted to come and see about money. (laughs)
  • Q: Oh, wow. A: So my housemate -- no, my housemate. My
  • housemate comes in, and she says, “Pat.” She says, “Gonzalo is here.” And I said,
  • “Well, what?” And it was like, “And he’s looking for so-and-so,” and I said,
  • “Oh, okay.” So I pulled my boyfriend out and said, “Your business.” It was funny.
  • Q: I was also wondering -- this was all going on, and obviously the Mexican American community
  • was involved in it and the activists such as yourselves, but did Austin or the community
  • as a whole take an interest in the Economy Furniture Strike?
  • A: Not intentionally, but because it kept growing and growing and because the pieces
  • of it kept moving out and flowering, eventually we controlled the city council. Not all of
  • it, but we controlled a chunk of it. I mean, we delivered the vote. We could pull in 51
  • percent of the vote. We could pull in 52 percent of the vote because we organized southeast
  • Austin’s whole area, Riverside, south Austin, you know, and certain -- and part of the black
  • community, because they were not -- they are not mentioned in the story so far.
  • Q: Yeah. A: But I also spent time working with, like,
  • the welfare rights organization while I was out being a little community organizer. I
  • mean, I was really a busy girl, and I -- no, I did. I went back and forth from all of these
  • different pieces. I just (inaudible) -- wherever I saw injustice and didn’t like it, I just
  • stepped right in, and I was young and had lots of energy, and, you know, money was important.
  • And, you know, I don’t know what I did for transportation. I think I had cars, but I
  • don’t remember really. But we did a lot of -- I did a lot of volunteer activity, and
  • I spent a lot of time on the east side. So, you know, we eventually just formed this -- I
  • don’t know. You know, David Butz became -- he runs a lot of judges’ campaigns now,
  • but before that David also ran -- he organized all the student precinct operations. And,
  • you know, we would just decide who we were going to support. Things got printed up, and
  • people got elected. That’s why Austin has had a really hard time.
  • It wasn’t until we changed the charter that we could get single-member districts, because
  • we could prove discrimination, because we had a gentleman’s agreement for years that
  • this seat was for a black person, this seat was for a Hispanic person, and this seat was
  • for a woman. And the other three could go to white men. We didn’t care, but the ones
  • we had were (inaudible). And I actually watched city council meetings since I was in high
  • school, because I was at Austin High, and at the time the city council met over on 8th
  • and Lavaca. And I used to go over to the city council -- I had [passes?] to go over to the
  • city council meetings, like, Thursday mornings at ten o’clock during my junior and senior
  • years, and I went over and did that. I even wrote a really good political satire one time
  • about Emma Long and Louis Shanks and Ben White and Travis LaRue and Mayor Palmer, Lester
  • Palmer. It was only five people. Q: You really were the jack-of-all-trades.
  • A: No, a really political activist who was spending time in a community that was small.
  • When I was growing up, Austin had 50,000 people in it.
  • Q: Oh. (inaudible) boomed now. A: Huh?
  • Q: It’s much larger now. A: It is much larger now, and I might add
  • that every time I drive down I-35 and have to deal with traffic I am so sorry that I
  • got involved with the stop growth movement, but I started it, and I participated in it.
  • And now I can’t (inaudible) -- Q: Which movement was that?
  • A: Stop growth, because we did not want Austin to grow. We did not like that. We were not
  • interested in all the builders making mass fortunes building all this housing, but the
  • planning department kept saying, “Austin is going to grow. You can’t stop it.”
  • And we kept saying, “We don’t want them here. If they can’t get around, they won’t
  • come.” So now they just can’t get around. Q: I was also going to ask -- and you had
  • mentioned it earlier just as kind of, like, an explanation of what you thought, because
  • -- you mentioned that racism exploits the Chicano but also oppresses the white.
  • A: Yes. Q: What do you mean by “oppresses the white”?
  • A: Well, I feel like a huge -- it’s a huge loss for a white person to, first of all,
  • not be able to really connect with, know, be intimate in any kind of real way with someone
  • who’s not white because they don’t trust us, and we don’t even know we’re not trusted.
  • And we shouldn’t be trusted, because we have a bunch of beliefs about people of other
  • colors, which are not true. So, because we have these beliefs, which are not true, they
  • affect our behavior. They affect our belief systems. They affect [things?], and they are
  • not -- they are all based on stories we’ve been told that were not true. As I’ve gotten
  • older -- so I wrote this in 1970, but I would not say now that racism is really the worst
  • thing ever. I would say that classism is the worst thing ever, but out of classism, it’s
  • clear to me, grow racism and sexism and all the ways that we find to be separate from
  • each other, from other people. I think all of them are limiting and undermined the development
  • of the human spirit. And I don’t care, you know, what sex or color or whatever you are.
  • So what I really saw at the time was -- I guess the first story I would say -- I was
  • out doing -- I was out registering voters when I was a young Democrat. It must have
  • been in early 1967, ’68, and I was in the St. Johns area. And I walked out to -- I was
  • put out there [at a high school?] (inaudible), and I’m registering voters. And I walked
  • up to somebody’s house, and I knocked on the door, and this older black man came to
  • the door. And I said, “Hi, sir, I’m here to register -- are you registered to vote?”
  • And he looked at me, and he said, “No, ma’am.” I said, “Would you like to be registered
  • to vote?” He said, “Yes, ma’am.” And I said, “Would you fill out this card?”
  • And he said, “Yes, ma’am,” and I was 17 years old, and he was an older person.
  • And he made it really clear to me that he just saw me as way more powerful than him,
  • and it was totally inappropriate because I was 17.
  • Q: He was your elder. A: Yeah, he was my elder, but that’s the
  • way I saw it. That’s not the way he saw it. And that was the first time I think I
  • really understood that it doesn’t matter how well meaning you are. You’re standing
  • on the history of hundreds of thousands of people before you who have made this -- who
  • have created this head-set. And, you know, there’s your side of it based on your color,
  • and there’s somebody else’s side of it based on their color. And getting across that
  • to have some kind of real human contact is a huge challenge because you must cut through
  • so much crap has been piled on both of you and that is -- and so, to be able to do that
  • in any kind of honest way has been a huge lifetime struggle for me. I mean, it really
  • has. The love of my life is from Zimbabwe, and
  • he is black, and he’s also really involved with the whole struggle there originally for
  • nationalism and eventually -- and still for some kind of free operation in the country.
  • So we’ve had to deal with over the years -- I mean, it’s a whole story. You know,
  • it’s like -- so I’ll go ahead and (inaudible). This is a great story to have. I’ll someday
  • make a lot of money on this story if I ever write my real autobiography.
  • But, you know, I met him when I was 28, and I was in Europe. And to make a long story
  • short, I sat down on a plane next to this man, and there was another guy [on the other
  • side of us?] like three [toes?] in a sweatshop. And (inaudible). And we started -- we [were
  • really tight?], and it was Air Ghana. And we sat there, and I thought, “Well --” and
  • I noticed that everybody on the plane but me was black, and I thought, “Well, okay.”
  • Everybody was asleep, so I said, “You’re having (inaudible), so shut up and get a grip.”
  • So I could -- you could still smoke, so I pulled out a cigarette. And just as I was
  • ready to light it, this lighter comes in from next door to me. This guy leans over and lights
  • my cigarette for me and said something along the lines of, “May I?” And I said, “Well,
  • thank you.” So I’m wondering, “[Gosh, does?] anybody in this plane speak English?”
  • So he, in beautiful Queen’s English, rolls out, “So where are you from?” And I thought,
  • “Oh, God,” because I had been in Europe for six months at this point, maybe three.
  • It may have been three or four months, and I had been around -- and I had traveled in
  • different places, and I really understood that -- well, you know, everybody in the world
  • knows that we’re racists in this country and especially in the South. So here, I’m
  • sitting next to this black man, and I’m getting ready to say, “I’m from Texas.
  • It’s in the southern part of the United States.” (laughs) But, you know, I said,
  • “Well, I’m from Texas. It’s in the southern part of the United States.” And he looks
  • at me like, “Oh, fuck.” You know, “Who is this woman that I’m -- oh, God. Who (inaudible)?”
  • Q: “What did I get myself into?” (laughs) A: “Who did I start this conversation with?”
  • And I said to him politely -- I said, “And where are you from?” He said, “I’m from
  • Zimbabwe,” and I said -- and all I have to say for myself is that it was 1978, and
  • I said, “Zimbabwe.” I said, “Is that one of those postcolonial emerging African
  • nations?” And he said, “Yes.” He said, “Some people call it Rhodesia.” Well,
  • okay, Rhodesia and South Africa, big-time racist oppression, okay, so I kind of take
  • a deep breath. He kind of takes a deep breath, and we look at each other, and there’s -- this
  • giant Plexiglas shield rises between the two of us, you know, sitting that tightly packed
  • together. But the two of us look at each other, and, you know, it’s like we can see it crosses
  • our consciousnesses at the same moment, “You know, this is a person who is possibly the
  • most different and opposite from me from anybody else in the whole world, and I have him right
  • here on this plane, you know, in the middle of the night, so let’s talk.”
  • So we start talking. Well, he’s from Zimbabwe, but he’s in Accra, Ghana, and he’s working
  • on his master’s in African history. I’ve just graduated from the University of Texas,
  • and I got my degree in history, too, although my interest is not in African history, duh,
  • duh, duh, duh. And then, we find out we’re both leftists. We’re both actually Communists,
  • you know, and we just are -- I tell you we are there. We are anti-imperialists. We are
  • trucking. We are, like, so excited because we’re finding out that even though we are
  • the two most opposite people we’ve ever met we have this huge collection of interests
  • and perceptions in common. So we are talking about American imperialism. We are talking
  • about sexism. We are -- I can’t even tell you. I’m stunned, because here he is, this
  • [probable?] feminist, you know, hanging out in Africa in the middle of a civil war, you
  • know, and here I am, this person who lives in the American South who’s an anti-imperialist
  • and does not approve of the United States running around and collecting resources and
  • exploiting African nations and so forth. It’s like -- he’s stunned. I’m stunned. We’re,
  • like, “Oh, my God,” and then it happens.
  • I say, “Well, so tell me, do you have American imperialism in Zimbabwe?” And he said, “Oh,
  • yes.” And I said, “Well, which country? Is there any country in particular -- I mean,
  • which company -- which company?” And he says, “Well --” he said -- and I thought
  • he said, “Kotex.” I just want to say in my own defense I had been up for three days
  • previously before I got on this plane in [Rome?] on my way to London. It was a charter flight.
  • I didn’t know anything about getting on, but I hadn’t had any sleep in several days,
  • and also, all the [more?] (inaudible) had just been dumped (inaudible), so after being
  • kidnapped by the Brigate Rosse (inaudible) for seven months. Anyway, I had to spend the
  • entire night waiting for this plane, which left at six or five o’clock in the morning,
  • talking to the chief of police of the security at Rome airport. I’m just saying I had a
  • long (inaudible). Q: (laughs) You had a long (inaudible).
  • A: So that’s when I heard him say, “Kotex,” and I said, “Kotex.” No, I didn’t say
  • -- I said, “Really?” And he said, “Oh, yes.” And I’m thinking, “Cotton, Egyptian
  • cotton, cotton growing in Africa,” and I’m seeing -- I’m going back to the Economy
  • Furniture Strike, you know, and I’m seeing shacks and sheds with bad ventilation and
  • people gasping and wheezing and cotton fiber in people’s noses and cotton fiber in people’s
  • ears and nobody able to get away from cotton fibers. So I -- but I wanted to be sure, so
  • I say, “Well, what are you going to do with them after the revolution?” He said, “We’re
  • going to throw them out of the country.” And I said, “Really?” And he said, “Yes.”
  • And I said, “Are you sure you want to do that?” He said, “Why wouldn’t we?”
  • I said, “Have you talked to the women, because, you know, I’m a feminist. Even though this
  • is not my war, not my fight, I have to be concerned about women internationally.”
  • Q: The women. A: “And they have been out in the jungles
  • and the plains and the terrain, you know, fighting a civil war for 15 years, and they’ve
  • probably had to use rags the whole time. I mean, do you really want to come back to civilization
  • and find that the Kotex is gone. I’m just saying.”
  • Q: Yeah. Yeah. A: Well, I mean, I know we’re back to using
  • rags now, but I’m just saying at the time we had Kotex. All right. And we were very
  • happy to have it. So I’m looking at him. He’s saying -- and then he says -- here’s
  • the moment -- he said, “Why would we ask them?” And just as I was ready to launch
  • into my soapbox -- get out my soapbox and launch into my story, I said, “Wait, wait,
  • wait.” I said -- I just had to be sure, because, you know, sex things are different
  • in countries and cultures. And he said -- I said to him -- I said, “Are you familiar
  • with the product?” And he looked at me like, “You dumb-fuck bitch, yes, of course I’m
  • familiar with the product. I know exactly what I’m talking about. What is your problem?”
  • I thought, “Okay.” And then, I did get out my soapbox because he knew what the product
  • was, and he was going to take it away from women. I had to look inside myself. I had
  • also been a member of the board of directors of the People’s Community Clinic sometime
  • in the early -- my early career in the ’70s. This was one of my many activities. And I
  • thought, “Okay, you can or you cannot discuss, you know, Fallopian tubes and menstruation.
  • You can do this. You can.” And I thought (inaudible), yeah, I had a job. Women everywhere
  • were depending on me. There was no telling what might happen when he got back after this
  • war was over. I mean, he could be anywhere. And it turned out -- he actually turned out
  • to be the head of the health and human services department for the country.
  • Q: What? A: Yeah. Yeah. Anyway, I mean, right there
  • in Kotex territory, so I said, “Well,” and then I launched into this whole diatribe
  • about Kotex and how, you know, it was only one of those kinds of products that didn’t
  • have deodorant chemicals, which cause tissue inflammation, and, I mean, you know, I was
  • -- I was eloquent. And at the end, I didn’t rest my case with [those statements?]. I said
  • (inaudible), “This product and this product alone does not have deodorant chemicals, which
  • cause tissue inflammation.” And he looked at me, and he said, “What product are you
  • talking about?” And I looked at him, and I thought -- I said, “Well --” I said,
  • “I’m speaking of Kotex.” And he looks at me, and he says, “I see.” And I say,
  • “Perhaps there’s been a misunderstanding.” And I looked at him again, and I said, “So
  • what were you talking about?” And he said, “I was speaking of Cal Tech, [which?] produces
  • weapons. And I said, “Oh, well, there --” no, I’m sorry. I said, “Oh, well, there was
  • a misunderstanding.” He said, “Well --” he said, “Now, so what were you talking about?”
  • And I said, “No, no, not necessary. No, no, no.” But, anyway, so I finally said
  • Kotex, and I looked at him, and I said, “And are you familiar with Kotex?” And he said,
  • “Yes,” and he blushed. (inaudible) blush, but he blushed. And then, we looked at each
  • other, and we fell in love. So that was the story that went on for -- I don’t know -- 35
  • years, 40 years, back and forth, (inaudible). He later married and (inaudible), but it was
  • an interesting [story?]. Q: See, that’s a super interesting take
  • on how racism -- A: Racism can affect our lives.
  • Q: -- yeah, can affect you and be even a motivator for you personally as an activist.
  • A: Well, you know, and I just have to say that -- well, I was an activist about the
  • [whole matter?] before that, but before I left to go to Europe a friend of mine [who
  • is black?] had asked me to marry him, and I said, “Can this wait until I get back
  • from Europe?” And he said, “No,” and I said, “Well, then marry somebody else,
  • because I must go.” But we were friends and lovers off and on. He and I have been
  • friends and lovers off and on [for years?]. I mean, the first three people I slept with,
  • the first one was white, the second one was Hispanic, and the third one was black. So
  • I just -- you know, I started out moving (inaudible) in the world, but I didn’t let any little
  • thing like that come between me and my interest of exploring the world. But Musafare, he did
  • go back and become the head of the human services department, [which is?] the Zimbabwe Red Cross.
  • He was the director or the secretary of it, they called him, for some years. And, you
  • know, when the war was over in 1973 he came to see me, and he said -- and we had been
  • writing, and we had been entranced -- I mean, to see him when I turned 30 in Ghana, and
  • we spent a couple of weeks together then. And then, when the war was over, he was brought
  • back to Zimbabwe, and he came to see me one day in Texas. And he said, “Look, I love
  • you very much, but what I’m seeing in Zimbabwe is that people who left the country, men who
  • left the country and married women outside the country, Europeans or even --” Robert
  • Mugabe had married Sally, who was Ghanaian. “Those women are coming back to the country
  • with their husbands and their children, and they are completely blocked and banned in
  • the culture, (beep) because the women who were out fighting in the trenches --
  • Q: I don’t know what this means. Why are you beeping?
  • A: Do you need to (inaudible) stop? Is it still rolling?