Allison Nash oral history - Allison Nash oral history

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  • ZARA DEHRI: Okay, this is Zara Dehri interviewing  Allison Nash for the second interview. It is March  
  • 1, 2021 at 1:05p.m. Mountain Standard Time or  2:05p.m. Central Standard Time. I’m speaking from  
  • Sugar Land, Texas and Allison is speaking from  Prescott, Arizona. So the floor is all yours now. 
  • ALLISON NASH: Well, I guess, one thing  that I wanted to mention was that  
  • I felt very fortunate to be born at the time  that I was born and to have become a young adult  
  • at a time when there was so much change beginning  to happen in society that, you know, I really felt  
  • that it was, you know, an honor to  be part of this great change that was  
  • happening. Not just in, you know, in the antiwar  movement or the back-to-the-land movement or the  
  • home birth movement, but just in general, there  was so much change happening in society and.  
  • To be young and to be, you know,  full of energy at that time was just  
  • truly, you know, a gift and so I’ve always  felt very fortunate to be part of that time.  
  • And I think one thing that I hadn't really  mentioned a lot when I first moved to Austin was  
  • some of the other activities that I was  involved with prior to the home birth to the,  
  • you know, within the antiwar movement there  was the guerrilla theater troupe. The Bertolt  
  • Brecht Memorial guerrilla theater troupe. That was  really at you know at some points in my life very,  
  • very dominant and a very strong part of of  who I was and what I was doing, and it was  
  • really marvelous. A group of people, we would get  together and do sort of spoofy satirical comedy of  
  • what was taking place, you know, in the  politics of the country. And we would, you know,  
  • go all over UT campus launching spontaneous little  events, and it was really a great group of people,  
  • and a great time. And so, and I think  also that it was important to know how  
  • little childbirth had changed from the 50s -- from  the 1950s, to the 1970s, that there was still,  
  • that women were so out of control of what  was happening to their bodies at that time in  
  • that. It's that lack of control that that brought  people to the idea of having their babies at home  
  • and even women who didn't necessarily think of  themselves as being feminist or being part of a  
  • movement were, you know, they were. They just  didn't realize that they were. That they were  
  • demanding that they had the right to control their  birth and that they had the right to say how their  
  • babies would be born and in what environment their  babies would be born and make decisions about the  
  • birth of their child and not be ridiculed for  breastfeeding or not be ridiculed for having  
  • their other children at the birth or having  their husbands participate in the birth. And  
  • I think that's really important to note too, that  for so many women who didn't think of themselves  
  • as feminists, they were definitely taking on  that role and teaching their children that too  
  • so. I think that that's an important  fact that needs to be brought up. 
  • DEHRI: Definitely. NASH: And um. Let me see.  
  • And I thought I would mention one thing when  we're talking about the antiwar movement  
  • at the beginning of my time was that my father,  who was a career military man, I was very  
  • concerned about how he was going to just take my  activities, when he would think of all of that,  
  • because I was the oldest child and always a bit  of a rebel at home. And I think that is the role  
  • that the oldest always takes but you know my dad  was a very strict dad and, and so I and my mother.  
  • Because my dad had assignments where he wasn't  allowed to take his family, my mother, who wasn't  
  • used to having to the reigns of control at home,  would have to take those over, and I think she  
  • got really excited by that and even though she  never said anything more or acted, did anything  
  • that I perceive just sort of being feminist I  think that she was kind of silently rooting for  
  • the whole thing and, uh, never objected to any of  my antiwar activities and my father, although he  
  • would shake his head, I remember in one occasion,  in particular, he said -- he looked at me,  
  • said, “If you're not an idealist when you're  20, there's something wrong with your heart.  
  • If you're still an idealist when you're 30,  then there's something wrong with your head.” 
  • DEHRI: Oh, my God. NASH: I was 20 when he said that to me and on  
  • my 30th birthday, I called him up and said, “Dad  I think, you know, I don't think there's anything  
  • wrong with my head, but I’m still am idealist.” DEHRI: Oh wow that's good to hear. 
  • NASH: Yeah, so I think we both got a good laugh  out of that, and, you know, as he got older,  
  • I think he started seeing the light a little  bit more. So that was something to mention.  
  • And I thought I would mention, too, that,  you know, the births that we did took place  
  • in all kinds of different environments.  We had birth in converted school buses,  
  • in un- airconditioned homes  in the middle of Texas,  
  • on screen porches in bathrooms, inadvertently  in bathrooms, in bathtubs, again inadvertently,  
  • UT housing. The furthest we traveled was probably  New Jersey, when we went to Princeton to help out  
  • a friend there and West Virginia so. We were in  all kinds of environments. I think some people  
  • did births in teepees. I never did, but I do  think there was one that happened in a teepee. So  
  • it was. It was very, very interesting. DEHRI: Yeah. I had no  
  • idea it was, um, in places like those. NASH: Yeah yeah I mean houses with no  
  • electricity, although it was one of our mandates  that you had to have a phone and electricity.  
  • You know, over time, there were houses that  were without electricity or without a phone and,  
  • you know, at some in some areas we would feel  comfortable in that in some areas we wouldn't.  
  • Most of us in Austin and in Texas  did have phones and electricity,  
  • but I remember one house in particular.  This family had just finished, they had  
  • their when they had their first child they  were living in this tiny little sort of  
  • quickly put together, sort of a tiny  house, I think you would call it today's  
  • language. But they came in, we had a, over  time we opened up our own birth center  
  • where we did prenatal care and taught classes,  so this was in the mid-, well sort of in the  
  • later 70s, like from ’78, ’79, ’80 time frame. And  so they'd had a baby at our birth center because  
  • they lived out in the country, and they were  living in this tiny little house without a lot  
  • of the requirements for electricity or phone,  but for their second baby, which was two and a  
  • half years later, they had spent a great deal of  time and money and built themselves a really nice  
  • house and they were rushing to get it completed  in time to have their baby at the home because  
  • they really wanted their baby born in their home.  So I remember that she went into labor and she  
  • called and said, “We just finished painting  the bedroom yesterday and now I’m in labor  
  • and it's all done.” So we went out to them,  and it was a beautiful house, I mean a nice  
  • big, beautiful house and they had the bedroom  had basically freshly painted walls and a bed,  
  • and that was pretty much it. You know, maybe  a little table to put all of our equipment on  
  • and after, when the baby was born, he had the cord  around his neck like two or three times. It was  
  • an unusually long cord. So we clamped and  cut the cord and wound it around his neck,  
  • and then, after the baby was born, while we were  waiting for the placenta, I thought okay, well,  
  • this the cord was so long that the clamp was at  the end of it and there was a long stretch of cord  
  • before you got to close to where the placenta  was so I wanted to move the clamp a little bit  
  • closer, so that there would be a little bit  better traction so. I put another clamp on  
  • to where, closer and then I did the first clamp  and when I ended the first clamp the pressure  
  • that had built up in for the blood between the  two clamps cause the cord to rise up like a snake,  
  • and then swirl around, splattering blood  all over these freshly painted walls. 
  • DEHRI: Oh, God. NASH: Everyone was in shock and then,  
  • of course, hysterical laughter because it was  just such a process of painting those walls  
  • and getting ready for the birth and then, you  know, when this occurred. So there were funny  
  • moments at times like those. And another  birth story that I wanted to talk about was  
  • another one involving children, which were my  favorite births were the ones where children were  
  • because they, for the most part they injected  humor and kept things, kept things exciting.  
  • And this little boy was about six years old, five  or six years old, and he was the second child and  
  • there was the fifth child was on its way to being  born. Now, the oldest child was on the school  
  • field trip at this time, so the kids at home were  six, four, and two and then the new baby was being  
  • born. And the father was really anxious to get  the two older kids out of the house because,  
  • you know, they were running around and creating a  lot of havoc and although it was fine with all of  
  • us it was making him a nervous wreck. So he had  called some friends to come and take the boys  
  • and the oldest boy didn't want to go ‘cause  he wanted to be there when the baby was born,  
  • so I talked to the father who agreed that the  boys could come back when the time was right,  
  • so I remember leaning over and saying to him,  “Don't worry. I’ll make you a promise that when  
  • babies ready to be born I’ll call you so you can  come back home.” And he looked at me and he said,  
  • “You promise, Allison?” and I said “I promise.” So  sure enough, the kids left and a few hours later,  
  • the baby was ready to be born, and so I called  the friend's house and asked to speak with him,  
  • and I said, “Okay it's time to come  home. The baby's ready to be born”  
  • and there was this pause and he goes,  “Well, Allison, we just put in a movie.” 
  • DEHRI: [laugh] NASH: And  
  • I said, “Well you don't have to come home. If you  want to watch the movie you can watch the movie”  
  • and he said, “Okay, I think I’m  going to stay and watch the movie”  
  • and I said, “Okay” and I hung up the phone  and probably about 70 seconds later it rang  
  • and it was him and he said, “I want to come  to the birth.” And I said, “I'll send someone  
  • to come get you. What about your brother, does he  want to come?” and so I heard him hollering over,  
  • “Hey” I think his name was Torruco, “Hey Torruco,  want to come to the birth?” and I didn't hear,  
  • I could hear the little voice answering but  I couldn't hear what he was saying, and then  
  • I heard the older boy saying, “Are you sure?  Remember Mom said, ‘this is the very last one.’” 
  • DEHRI: That’s adorable. NASH: So he wanted to make sure he got there,  
  • because it was very last one, and it turned  out, Mom was right, it was the very last one.  
  • So, I think those were the main things I wanted  to say was that but and another thing too is that  
  • when I was perusing all of our pamphlets and in  the educational materials that we provided, and,  
  • you know, the little charts and everything. I  was really impressed with how together we were.  
  • I don't think I really took that into account at  the time, how we, you know, really put together  
  • this educational booklet and provided charts  and graphs for people to keep track of their,  
  • you know, postpartum experience and to make sure  that we had all the information we needed to  
  • monitor the baby and the mother self after  the birth and during the pregnancy and I  
  • was thinking, wow, you know, we did good. DEHRI: Yeah I think the pamphlets were really  
  • impressive, um, I’m curious though. Did most of, I  guess you'd call them clients, the pregnant women,  
  • did you guys get them through word of  mouth? Like is that how A.L.M.A. spread? 
  • NASH: Yeah it was pretty much word of mouth, I  don't remember we didn't do any advertising at  
  • all. It was all word of mouth. But it was very,  you know, the women initially the women were going  
  • to the People’s Clinic, and the People's Free  Clinic and after a while, after just a few years,  
  • People’s realized that they were  getting so many pregnant women  
  • and post pregnancy postpartum and just women's  health issues that they dedicated Tuesday night  
  • to women's health care. So the only clients  they would see on Tuesdays were pregnant women  
  • and women with, you know, women's health issues.  So, and that was the night that I worked and  
  • gradually, over time, many of the other midwives  also kind of spend time working at the clinic  
  • which is, you know, an important place to work if  you're working in that field. You learn as you,  
  • you know, about pregnancy more about pregnancy  and the importance of iron levels in the blood and  
  • we had first hand knowledge of the health,  the level of health that our clients were  
  • because we were working with them during their  pregnancy, you know, in a clinical setting.  
  • So because of that, the word,  it was pretty well known,  
  • it was, you know, the alternative community  in Austin, although large, was not that large.  
  • People knew about it by word of mouth and we were  busy, we were very busy. I mean we, you know,  
  • there were more than one occasions when we had  three or four babies born within a 24 hour period. 
  • DEHRI: I can’t remember if we, if I asked this  previously, but do you mind telling me what the  
  • acronym A.L.M.A. stands for again? NASH: Right it stands for Austin  
  • Lay Midwives Association. DEHRI: Okay I think I did ask,  
  • I just wanted to be safe. Thank you. NASH: So, um,  
  • I think that was mainly it. I  just felt like I was sort of  
  • not real prepared the first  time. I haven't done this before,  
  • so I wasn't real sure how to go about it all. DEHRI: Oh no worries this is my first time  
  • as well, and I think you did well, but I  appreciate the second interview as well. 
  • NASH: Mm-hmm. DEHRI: Oh no sorry go ahead. 
  • NASH: I’m wondering about the pictures  that I sent you. Are they going to be  
  • used, are they going to -- I'm just,  I’m just curious as to how this works,  
  • it's an oral history. DEHRI: I’m not entirely sure.  
  • I think the photos can be something that you  just send me outside of this, but if you think  
  • they're important to what you're saying, all  we need for this is you describing the photos. 
  • NASH: Okay yeah. Well, you  know, mainly the photos were of  
  • documents that we used, you know, the information  that we shared with our people with our clients  
  • and then some actual pictures of birth,  which, you know, a little harder to describe.  
  • But I thought that the, you know, it  was important to sort of see, you know,  
  • what was being offered to people, you know, as  well as just sort of follow up with the story  
  • to show the definition of what was happening  in terms of the Thursday night meetings when  
  • we would have childbirth classes and  the booklet that people were given  
  • and the instructions and that sort of thing. DEHRI: Yeah I think they were a nice additional  
  • piece to this. NASH:  
  • But, so that was mainly if I think that you know,  the main thing, I guess, I wanted to emphasize was  
  • was, you know, the power that women had in  taking over their birth experience and how  
  • important it was to all of them, and we did have  people in for a lot of other reasons. We had,  
  • ;ike I said before, we had some Evangelical  Christians who didn't want men involved in the  
  • care of their pregnant. Women and we had you know,  some people who just couldn't afford Brackenridge,  
  • you know, even they didn't quite qualify for  free care and they just couldn't afford it,  
  • so they came to us. And I think, you know, most  of those people had a very successful birth and  
  • I think a lot of those people had a different  experience than they were anticipating and  
  • appreciated it. So, so that that helped too.  That made changes in people who hadn't already  
  • made those changes in their own lives. DEHRI: Oh, I had forgotten to ask this but  
  • was - were all the deliveries and. postnatal  care, was this all free for the women? 
  • NASH: No, we did charge a fee. DEHRI: Okay. 
  • NASH: But it was a kind of a sliding scale fee.  And it was funny because the booklet that I  
  • looked at it said that our fee was $250. So that  was what we, I think when we first started out,  
  • it was free. We were just doing it freely  because something we felt so important and so,  
  • uou know so necessary, so we weren't charging  it, but it quickly became a profession, where,  
  • you know, it was we were so in demand that  there was no other way, we could work at any  
  • other type of employment and keep up with it. So  at that point we started charging a fee because  
  • we had to pay rent and also we opened up the  birth center and we needed to pay rent on the  
  • birth center and things like that, but people  were responsible for buying their own supplies.  
  • And we just went to drugstores and picked up  their supplies, but then companies started  
  • opening up that provided birth packs and they  were able to order from them. But, yeah $250  
  • was the going rate for a home birth in 1977. DEHRI: Okay, one final thing that I’m curious  
  • about was for the, your guerrilla theater  troupe, I just wanted to know what some of the  
  • plays that you guys would put on were. NASH: Well, you know I don't really remember all  
  • the plays. I know that one was the one I sent you  the picture in, I was a driver for Henry Kissinger  
  • and we did one about the Rockefellers.  And I remember that one because we used,  
  • there was, we used children. The Rockefeller  family had had a lot of kids and we borrowed  
  • the children of Mary Birdsong, I think that was  her name, Mary Birdsong and then some other people  
  • and used their children as part of our theater  troupe and that was pretty interesting. Got them  
  • all dressed up in finery and stood them up in  a line so. It was pretty politically oriented.  
  • Making fun of the Republicans overall. DEHRI:  
  • Okay, um, if there's nothing else you'd  like to add, I can stop the recording now. 
  • NASH: Okay. DEHRI: Okay.