AEJMC Trailblazers of Diversity Interview with Tom Engleman

  • Speaker 1: Today is August 8,  
  • 2018. My name is Linda Shockley, and I'm  interviewing Thomas Engleman. For the AEJMC  
  • diversity or history interview project. Thank  you, Tom, for agreeing to this interview.
  • Speaker 2: Thank you for having me.
  • Speaker 1: You're welcome. Please know that it will be  
  • housed on the AEJMC website and the Dolph Briscoe  Center for American history at the University  
  • of Texas at Austin. So let's begin. Tell me  about how you got interested in journalism.
  • Speaker 2: Oh, started back in high school, I was  
  • recruited by Mrs. Stone, who was the yearbook  advisor who said, I think you should work for  
  • the school newspaper. Okay. And I did. So I  got my start working on the school newspaper  
  • in high school in Roanoke, Virginia, and went  to college and worked for my college newspaper  
  • and my college yearbook and took the one  journalism course that they offered at my college  
  • and decided this is exactly what I want to do. So  I graduated, went into the Army for a little bit,  
  • came out, went to graduate school of journalism  at the University of South Carolina and worked  
  • for the newspaper in Columbia. At the time I was  the copy editor. Would you believe that somebody  
  • who never had any copy editing experience  before that was assigned to the copy desk,  
  • and absolutely loved it. So that's how  I got started from high school right  
  • on through to my first newspaper job.  Although when I was in college, I was  
  • calling in sports scores and reporting for  the Roanoke times and World News and the  
  • Bristol Herald courier and the associated press  in Richmond in the UPI in Richmond all about our  
  • games, followed sports teams around all over  the East Coast. So that's how I got started.
  • Speaker 1: 
  • So could you tell us what years you were talking  about? You graduated high school in 1960,  
  • graduated from college in  1964, went into the Army for  
  • almost a year, and then started graduate school  at University of South Carolina in 1965. And was  
  • there for two and a half years working, going to  school part time working full time at a newspaper.  
  • And what was the newspaper that you work for the  state in Columbia, South Carolina that morning  
  • daily? Can you talk a little bit about when you  became aware of the need for greater diversity?
  • Speaker 2: Sure, it was a lobbyist newspaper.  
  • There was not a person of  color on the newspaper staff  
  • was not a person of color when I was in  graduate school in the School of Journalism,  
  • not a person of color, as my fellow students  said, Whoa, here we are in South Carolina.  
  • Very large African American population, obviously  in the state. And there is not a single person on  
  • the newspaper staff, the professional newspaper  staff, covering those communities. And that was  
  • how I first recognized something has to be done.  So we talked amongst students, the faculty,  
  • mentors on the faculty about what we can do, and  came up with a thesis project for my master's  
  • thesis to find out what would be the attitude  among the media among newspapers and broadcasters,  
  • among even High School journalism teachers  among college journalism programs in the state.
  • Speaker 1: Why are there no African Americans working for  
  • newspapers? Why are they no African American  studying journalism at the college level?
  • Speaker 2: So we started the project with my master's thesis  
  • to find out what are the statistics basically  behind this as well as the social information  
  • behind this, this was all done in 1967. And I  wrote my thesis in 1968, and graduated in 69.  
  • So this was all being done at the very  time that the nation was erupting in  
  • the inner city of riots and the problems there.  And of course, we were reporting that the  
  • newspaper was reporting on all of this. But we  were not reporting on it from a perspective of  
  • who the people were, who were affected  and why were they right? It was numbers,  
  • how many people were injured. How many people's  buildings were burned down and all of that.
  • 05:01 Speaker 2: And guess what? The Kerner commission  
  • report came out in the spring of 1968, after the  1967 riots and said exactly those same things.
  • Speaker 1: So you wrote a thesis  
  • on this. And so what was the premise of  your thesis? or What did you come up with?
  • Speaker 2: The analysis was that because of the attitudes  
  • of the editors and the publishers and broadcast  as well as print, they seem to be very favorable  
  • about the whole idea of hiring people of color  for the newspapers, but the age old, respond to us  
  • if we could find the talent. Well, it's  exactly what the Kerner commission report  
  • pointed out is, that's an excuse, do something  about it, and what can we do about it? That's,  
  • that's the next chapter in my life after  graduate school. So I wrote my thesis and  
  • then the summary sentence was, there was  cautious optimism among the media in South  
  • Carolina at that point, that something  could be done about it, cautious optimism.
  • Speaker 1: 
  • And so, what happened next in the course of  your pursuit of this topic and your career?
  • Speaker 2: Okay, I learned about the job  
  • for Dow Jones and company. The job was as  assistant to the director of the newspaper  
  • fund, now called the Dow Jones newspaper  fund. Paul Swanson, who was the executive  
  • director at the time hired me as his assistant.  That was, the job started in January of 1968.  
  • That summer, through Paul's leadership  dating back years before that,  
  • there was a workshop in Washington, DC 50 years  ago, called the urban journalism workshop that  
  • was done at American University. I visited  that workshop while I was learning this job  
  • of assistant to the director of the newspaper  Fund, which it was called back then. That was  
  • the workshop with 20 students here at American  University in Washington. And we are in Washington  
  • right now and doing this interview 50 years  later. So, we ran that first workshop as an  
  • experiment as a pilot project to see if we could  identify up to 20, we had 20 students of color,  
  • who could love the job of Lang  working with the language and writing.
  • Speaker 2: 
  • Kids had loved to write, and we brought them  into American and for four weeks, they learned  
  • from mentors coming in from the newspapers in  town, The Washington Post, the Washington star,  
  • and other professional journalists in the  area, what it was like to be in the field.  
  • After four weeks, they published a newspaper.  That was the goal of the project was to  
  • have the students write, take pictures, write the  cut lines, do the headlines, do the page layouts,  
  • all the things involved in creating a newspaper  for the first time they had ever done, it will  
  • beg your pardon. There were two of the students  in the workshop who had worked on their high  
  • school newspapers, all the others, simply were  identified by their high school English teachers  
  • as having some writing potential. And that's  what we were looking for as a talent. Now,  
  • let me go back a little bit on this postman's, who  was the person who hired me at the newspaper fund.
  • Speaker 2: Paul was executive director of the  
  • Dow Jones newspaper and back then the newspaper  fund. Paul had through his past experiences as a  
  • managing editor of a newspaper in Minnesota  in Minneapolis Star and Tribune. Paul had  
  • operated a workshop for high school journalism  teachers at Savannah State College in Georgia.  
  • This workshop was aimed at bringing in that summer  workshop, high school journalism teachers of color  
  • to help them learn how to put out a better high  school newspaper basically. And if they have  
  • a journalism course that was fine, too, but  basically, the workshop was trying to teach  
  • them how to put out a high school newspaper. This  was back in the early 60s when Paul was able to  
  • persuade a board of directors that we need to do  something more. This is in 1967. Before the Kerner  
  • commission report ever came out, Paul persuaded  the board of directors to put some money into  
  • a summer workshop at American University, which  I just mentioned, that would prepare some young  
  • people in Identify and prepare some young  people to be journalists. He raised the money  
  • from the Washington post the Washington star, and  from at that point, theta sigma five, which is now  
  • women in communications, and they may have changed  their name cents. But these three organizations  
  • put some money in, and also provided the names of  mentors who would be able to be at the workshop,  
  • to give first hand experiences, and talk to the  kids about what it's like to be in this business.  
  • So Paul was the innovator of all of this, and  a person whose name hardly ever comes up in the  
  • history of diversity. But Paul was the one he was  the mind behind so much of this that's gone on,  
  • since I was simply the tool, the person that  carried his ideas forward and expanded on them.
  • Speaker 1: So you're holding something, a newspaper there?
  • Speaker 2: Yes. This was the first  
  • newspaper produced by high school students.  After an urban journalism workshop is  
  • called the new voice. The students  wrote the copy, took the pictures,  
  • covered a demonstration in Washington, that was  the lead story, they covered this and wrote on it.
  • Speaker 2: They had some information on the back page.  
  • fashions, things are top topics that interested  the kids, they followed up the story ideas,  
  • it wasn't the journalism professors or the  professional journalists who were telling  
  • them what to write about, they wrote about what  they thought would interest them. So after the  
  • workshop, after the workshop was over, they  printed, we printed a lot of copies of this,  
  • and gave each of the students a stack of them,  take it home, show your mom and dad, show your  
  • neighbors, show your friends what you did this  summer. And maybe by just showing other people,  
  • what they did, would not only encourage them  to perhaps consider a career in journalism,  
  • but also let others know that something is  being done out here to encourage young writers.
  • Speaker 2: So now Mr. Swenson resigned from the news  
  • fund and went on to take another job. And then  that's what happened. And left the newspaper fund  
  • late in 1968, to teach journalism at Temple  University, and I was named assistant director  
  • of the newspaper fund. They were trying  me out to see if I could do this job. And  
  • so starting then, I worked until the 1990s, well  over 25 years as director of the newspaper fund.
  • Speaker 1: So what did you do with the  
  • high school workshop program after that success?  Would you call it a 1966 success in this way?
  • Speaker 2: We did some  
  • surveys over the years we have surveyed,  
  • past participants are to see what their interests  are. And we found that, yes, indeed, they were  
  • interested enough after that first workshop,  to consider going to journalism school or just  
  • going to college to perhaps work on the college  newspaper. So they got their first interest by
  • Speaker 2: the workshop, okay. And then  
  • we said what's next. So we started looking around  the country, and we found three other schools,  
  • other universities that would be interested in  hosting a similar workshop in the summer of 1969.  
  • The premise was, the newspaper fund would  provide some money, but universities you  
  • need to go out. And we will go with you to see  if we can get newspapers in those cities to  
  • match the money. The same as the washington post  in the Washington star did in that first workshop.  
  • Let's go see if we can get other workshops  started with the same formula, that is newspapers,  
  • providing some money, newspaper, fun, providing  some money, and then the newspapers and not only  
  • provides some cash to help support the workshop  that's abandoned lunches, and take care of the  
  • transportation of kids to go out on assignments  to pay the director of the workshops and money and  
  • pay for the cost of the lab paper, or the workshop  newspaper, but also to provide your reporters and  
  • your editors and your photographers to come  in to the workshop as mentors for the kids.
  • Speaker 2: So that expanded to for  
  • the next year and it grew and multiplied Over  the years, at one point, I believe we had well  
  • over 20 workshops scoring it. At the same time  nationwide, this grew into a nationwide program.  
  • I don't have the total numbers, but I would guess  it would be into the 1000s of high school students
  • Speaker 2: who went through the workshop and of the 1000s.  
  • Hundreds ended up going to journalism school or  working on their college paper, eventually taking  
  • internships at newspapers, and eventually full  time jobs at newspapers. So we're able to show  
  • through the studies of past participants,  what the success rate was. So then that built  
  • on everything that the newspaper fund was  doing. It was a recruiting ground for not only  
  • the future workshops for the high school  kids, but also the internship programs  
  • at the newspaper fund were operating and  from their excellent jobs in the industry.
  • Speaker 1: So you were  
  • creating a pipeline, that was your hope?
  • Speaker 2: Absolutely. That's exactly  
  • what it was. It was a, there was a pipeline  from high school, to college to the business.
  • Speaker 1: 
  • Right. So let's talk a little bit about the  internship programs that you just mentioned. So  
  • the fun had reporting internship programs,  and the copy editing internship program.  
  • And you talk about recruiting and trying to get  African Americans, Latinos, Asian Americans, more  
  • students of color into your internship program.  So explain some of those things that you did.
  • Speaker 2: To get those students who also apply, and  
  • once you have a list of participants, you have a  database, you have a mailing list, or whatever we  
  • would call it back then this is the day before you  had the huge computer databases of information.  
  • But we were developing databases of names  and addresses and we kept in touch with the  
  • students. We send surveys out, we send them  newsletters, we keep in touch with all the  
  • former participants. And of course, not all we're  interested in continuing. But by sending it out,  
  • we were able to keep in touch with people  and let them know what the opportunities were  
  • for internships, like I said, and eventually  in jobs. We had a reporting internship program.  
  • In the early years dating back to 1960. There  was a reporting internship program that the  
  • newspaper fund sponsored, bringing talented  writers in the newspapers in the summertime  
  • as interns, and we gave him a scholarship  to help them continue in college.  
  • Then there was that which continued over two  decades, we have an intern price competition back  
  • in the 60s and extended way into the 1970s. And  will go beyond where newspaper editors recommend  
  • college students that they had hired on  their own, and they recommended them to  
  • the newspaper fund for a scholarship. So we  gave away scholarships for that program. Then,  
  • through Paul swensons leadership, we created  an editing internship program trying to find  
  • future leaders for the newspaper business,  bringing them into the copy desk.  
  • And then from there as a almost direct path  into newspaper management, copy editing,  
  • city editor, managing editor, and  some publishers have come out of this.
  • Speaker 2: Over the years, we had a program  
  • that was similar to that because we were  finding there was very little in the way  
  • of numbers of people of color at colleges and  journalism schools of journalism. These are  
  • the major colleges all over the country, very  few people of color as students at those schools.
  • Speaker 2: So what do we do? We started working with  
  • historically black colleges HBCUs as the acronym  historically black colleges and universities,  
  • so we started working with them to identify  their students who could then be plugged  
  • into our existing internship program. The talent  wasn't there. The talent has always been there.  
  • But until the newspaper fund and and of  course, many newspapers and other organizations  
  • went out looking for them and encouraging  them to think about this career.  
  • Nothing was done until that happened. So it  all started through high school workshops  
  • and internships, taking the internship programs  and going out and finding where the talent is  
  • and encouraging the talent for it was and it was  the historically black colleges and and getting  
  • applications giving them and I'll portunity to  be on in a newsroom and learning firsthand how  
  • you become a newspaper editor or a reporter.  And then things started taking off from there.
  • Speaker 1: So one of those early participants was  
  • Mario Garcia, the great newspaper designer.  What did he do? What program did he come into?
  • Speaker 2: Reporting Program.  
  • This was the reporting internship program. Over  the years, I have lost all of the dates and the  
  • perhaps, and all of the very specific  things that we knew firsthand way back when.
  • Speaker 2: But Mario was a college student  
  • in Florida, went to the Miami news, if I'm  correct, as an intern, and he actually went  
  • over as a reporting intern if I'm correct. And  they found that he also had some layout and design  
  • talents. He had an idea of how you can design this  page. So they moved him in a way from reporting  
  • over to the design part of a newspaper. And that's  how he really caught on and, and develops a merio  
  • has become a the nation's at one point, or  leading newspaper design expert. So yeah,  
  • those are the kinds of examples of talent that's  out there, that if you send them to a newspaper  
  • and give them the opportunity to ban themselves  as a young journalist and find what their  
  • specialties interests are, then they'll develop  and look at what we have. We have many leaders in  
  • our industry now who found their way from being  a newspaper reporter, newspaper, copy editor,  
  • and then newspaper management and they are the  leaders in our industry, many of them today.
  • Speaker 1: I think Wanda Lloyd is one of those people.
  • Speaker 2: Absolutely. I  
  • think she was at USA today for a while and  she was managing USA Today. And she was  
  • director of the school of  journalism at Ana State College.
  • Yes. And at Savannah State College was  the early High School journalism teacher  
  • workshop that Paul Swinson provided some money  for the newspaper fund and provided some money  
  • for Savannah State College to identify some  teachers to come in. And those teachers,  
  • as I learned later, have brought some  students with them. Wanda was one of the  
  • high school students who came along with her  teacher to Savannah State. To that workshop,  
  • she would have been, I would gather the  editor of next year's high school newspaper.  
  • So the teacher was learning how to prepare  a newspaper, how to be a newspaper advisor.
  • Speaker 2: And she had along with her the editor  
  • of next year's high school paper. So this is how  it's done. You go, bring people together, who have  
  • an interest in this field and encourage them  and let them see that when the light bulb  
  • goes off in their heads, if I can do this, I  can do this. And that's what makes it work.
  • Speaker 1: Now, there was a period  
  • where you had a lot of demand from the media to  provide them with the verse interns and entry  
  • level people. And so you started the minority  editing program and a minority Reporting Program  
  • will these efforts get into the historically  black colleges to bring people of color out?
  • Speaker 2: The college wasn't at the traditional journalism  
  • programs, the numbers weren't there. So we went  to war, the numbers work. And in order to make  
  • this happen, we created new programs for people  of color. African Americans, Native Americans  
  • at some point in the smaller members, but  certainly Asian Americans and Hispanic Americans,  
  • we created these programs to go out and  recruit. So it was a major recruiting effort.
  • Speaker 1: And so what did you find  
  • within the industry in terms of other efforts and  activities, working along with other groups like  
  • with starting job fairs and career fairs?
  • 24:26 Speaker 2: Things started taking off once  
  • we had the workshops of the high school kids in  the internships. Then we have other organizations  
  • who said we need to get involved in this. The  Associated Press managing editors Association,  
  • the American Newspaper Publishers Association,  the the American Society of newspaper editors,  
  • all those alphabet soup or our organization say  sn E and AP me and surf word was the full alphabet  
  • almost as well as As a society professional  journals back then called sigma Delta Chi,  
  • we had women in communications  back then called theta Sigma Phi.
  • Speaker 2: So there were  
  • organizations that realized and  we can get involved with this too,  
  • there's a need for us to do something as an  organization. And of course the agency, which we  
  • had been involved with over the years, created  a minority and communications division,  
  • the Mac division. These were efforts done  by the major organizations, after all of  
  • the early workshops were done, and people  realized we need to get involved in this too.
  • Speaker 2: So the newspaper fund  
  • was very much involved in the very early  stages. And then it caught on with the  
  • other organizations creating their various  committees, minorities committees, they were also  
  • secondary education committees, high school  journalism committees, or journalism education  
  • committees created by organizations such as  the American Society of newspaper editors  
  • to work with colleges and Consortium, we will  bring into the various committee meetings of asnd,  
  • college journalism deans, so that the editors and  educators are working together to find work. And  
  • what can we do as an organization or as  a committee of an organization to advance  
  • the recruitment of young  people for the news industry.
  • Speaker 2: So I’ve worked on a  
  • lot of these groups and across all disciplines,  from academia to professional organizations,  
  • and even scholastic journalists traveled all over  the country at many, many, almost every convention  
  • that there was of editors trying to recruit  more editors to be involved in the programs to  
  • hire interns. A lot of recruiting going on  not just of the students who we're trying  
  • to bring in, but also of the editors who will  be hiring the students trying to build up the  
  • interest along with a lot of work being done  on that. Thank goodness Dow Jones has provided  
  • and expense accounts, so I could get on an  airplane and travel. And I did a lot of that.
  • Speaker 1: So to what extent do you think  
  • the industry is meeting the challenges of  diversity? The diversity challenges still exist?
  • Speaker 2: Yes, yes. Yes.
  • Speaker 2: 
  • Could you ask that again? Stop there for  a second. And this can be edited out?
  • Speaker 1: 
  • To what extent do you think the challenges  of diversity are being addressed?  
  • Today? Are we ahead for all of these efforts?  Are we falling behind? Where do we stand?
  • Speaker 2: What we need to do is to look at the  
  • panel members who appear today on the various  television shows from Meet the Press to  
  • on cable television shows and so forth,  and you will see people of color as leaders  
  • in this industry today. And that's that's  core it has come to today is we have  
  • very smart people who are in this  business, people of color, who are now  
  • providing leadership to the newspaper industry.  And that's, that's where we've come in, how did it  
  • happen? It started, as I mentioned earlier, from  high school level, to the college level and to  
  • internships to full time jobs. And as those  talented young people became middle aged  
  • people of color and moved into advanced positions  at newspapers from let's just say city editor, to  
  • managing editor to publisher, and we've had some  publishers who have moved up through those ranks.  
  • That's how it happens. It's moving up through  the ranks, so to speak in the news industry,  
  • but it has to start somewhere it started  50 years ago with the high school workshop.
  • Speaker 2: And,  
  • and not just because there was a Kerner  commission report, which was basically called  
  • out by newspapers and broadcasters for the lack  of employees of color. Not just because of that,  
  • newspapers did this because they felt  it was important to do for our nation,  
  • for our democracy, in order to have our newspapers  reflect our communities, wherever they are small,  
  • medium, Large communities to have the newspaper  staff reflect that and not just in numbers,  
  • but also to bring in those attitudes and those  opinions and those experiences to the editorial  
  • boards, the places where decisions are made  about what's going to be in tomorrow morning's  
  • newspaper. How, how can we better reflect our  communities, our whole community, not just part  
  • of the community that was traditionally covered  back in the 30s 40s 50s 60s, perhaps but starting  
  • after the Kerner commission report, we, as an  industry as a news industry felt we need to do  
  • this on our own not because we're forced  by the Federal Communications Commission,  
  • the FCC, forcing us to do some additional work  to bring people of color into our organizations,  
  • or else your license might be affected.  Newspapers didn't have licenses, still don't,  
  • we don't have a license to publish a newspaper, we  don't have the government breathing down our neck.  
  • Newspapers are doing this because it's the right  thing to do. That's why we are where we are today.
  • Speaker 1: Now, the news industry has struggles  
  • with subscriptions and advertising revenue,  and the more and more data and digital kinds of  
  • outlets. Some people are being laid off, lots of  people are being laid off in this business and  
  • we're finding that it's the people  of color, who in many cases are  
  • being laid off. And so then those numbers  start to dwindle. What do you think  
  • news organizations can do?  What should they be doing?
  • Speaker 2: This, it's not just the number of people that  
  • it's when the depth of coverage of our communities  is when we're the size of newspapers, in terms of  
  • page size is down. At many community newspapers,  it's all about small and medium sized newspapers,  
  • page size weighed down, staff are basically cut  in half at many papers. So if your staff is cut in  
  • half, that means you can only do half the amount  of reporting. So what do you report, and it's the  
  • leadership at the top of the newspapers who will  say we still need to have the full coverage of our  
  • community, even though we're not doing as much  of it, we need to have the full coverage of our  
  • community. That's the challenge of newspapers  today to make sure that the coverage, even  
  • though it's less coverage at many small and medium  sized newspapers is going to continue to reflect  
  • the community's hope that that's happening in, in  the newspapers, the larger newspapers, generally,  
  • not much of a problem. There's still we have our  major national newspapers still out there covering  
  • news and politics and society and all the elements  of our country. But to make sure that it's covered  
  • in a way that the diversity of the news coverage  reflects the diversity or of our country.
  • Speaker 1: Now, do you think there's  
  • a role for academia to play, particularly in  communities where the professional press is being  
  • cut back or they don't have the financial  resources that in some cases, college students,  
  • college media need to take over trying  to cover communities and also providing  
  • more diverse staff to take over coverage?
  • Speaker 2: I don't know, Linda, I'm not. I'm not  
  • familiar enough. Now, to give a good answer  to that question. What could colleges do? I  
  • don't know what else colleges can do now, other  than to continue to try to recruit young people  
  • of color who represent their communities and their  states and in the nation. to go out and recruit  
  • the best young writers and editors they can  recruit to be journalism students would be that  
  • would be the answer to that, perhaps to also for  the college newspapers, to make sure that they are  
  • representing not just the college population  in terms of demographics, but also to go out  
  • and find people of color, who could end up in the  news industry. So many people who enter newspaper  
  • jobs over history, have not studied journalism,  but they have worked on their college papers. And  
  • it's getting that practical experience, that is  the most important thing and the talent is there.
  • Speaker 2: We just need to continue to go and dig for  
  • the talent and find that talent that starts at the  high school level, and encourage them to do what  
  • they love what the young people love to do, and  that they love to write, they love working with  
  • the language. And that's still a goal. an ageless  goal to find young people who would like to write.
  • Speaker 1: I want to back up a little bit and talk about  
  • the newsroom, college enrollment surveys, and the  college graduation rates and studies because the  
  • news fun pay played a significant part in those  censuses of who's going to college to who's  
  • majoring in Journalism and Mass  Communication. And then at some point,  
  • you introduced an element of,  of students of color, going to  
  • school for journalism and kind of broadening the  schools that were sampled, if I'm not mistaken.
  • Speaker 2: Yeah, we did  
  • talk about that and got an annual survey and  we hired researchers to do annual surveys of  
  • who's going to journalism school. What  are they majoring in? What subjects are  
  • they majoring in? And going back into the early  years went back when I was involved back in the  
  • late 60s and into the 70s. As many as half  of all journalism students or communication  
  • students, or were majoring in what we  would call news editorial journalism.  
  • What we watched over the years was the percentage  of news editorial journalism majors declined,  
  • while the percentage of advertising and public  relations students increased broadcasting students  
  • of broadcast majors paid about the same.  But these editorial declines. And that was a  
  • phenomenon we watched as it happened. Where does  that leave us today? Perhaps with the way things  
  • are going, the attitude toward newspapers or  the media now, I'm hopeful that more young  
  • people will say, Whoa, this is an important  job to have in order to keep our democracy  
  • going. And that is the job of a journalist  is very important for a state so to speak.  
  • And I'm hopeful that will be as much of a  career encouragement as the Watergate years.
  • Speaker 2: They were attributed to  
  • a huge increase in the number of journalism  students. Perhaps that will happen again,  
  • with the current attitude of negative attitudes  about the news media, the fake news, so to speak,  
  • out there. I don't know whether it's real  fake news or not. I like to see examples  
  • of fake news, or it is really fake news. I'm  not sure if we're getting into real specifics  
  • on that. But with all the negative information  that's out there. But that's where we are now.
  • Speaker 1: Well, that brings up an interesting point. And I  
  • guess one of the things that we're confronted with  it, the news fun is how to encourage people to go  
  • into career in journalism. It's always been kind  of an uphill battle for students who say they're  
  • interested in journalism, and then maybe their  parents try to discourage them or somebody else  
  • tries to discourage them. And now, journalism  as a career is kind of being disparaged  
  • on a national scale. So the challenge  for kids going into journalism is  
  • finding a negative perception of the  profession. And then some of the pushback  
  • from people who are being covered, that's  always been an issue. So how did you deal  
  • with kids who said, Well, you know, that  doesn't pay that much, or that kind of stuff?
  • Speaker 2: Pay was always an excuse,  
  • in many ways. Sure. It's a very real excuse. You  have the bread and butter on the table or meat on  
  • the table and then buy that car and pay rent and  all that money is very important in that respect.  
  • But the early attitudes that we found way back  in the 60s when this was happening was there  
  • were no role models. Mom was a teacher. Dad was  in politics or as a community organizer, perhaps.  
  • My aunt is a nurse. Those were the examples  that people of color young people of color head,  
  • in their families and among their neighbors. There  were no other journalists out there. But now there  
  • is about how we continue to encourage these young  people who now see the role models out there to  
  • pursue a career in journalism. We need to continue  many of the programs that we have out there, the  
  • internships and so forth need to continue, but the  attitude part of this is going to be a tough sell.  
  • I don't envy you wonder and the newspaper found  and editors around the country and how do you  
  • continue to find talented young people to be in  your newsrooms with all the negative attitude  
  • about our own industry, when we know that we're  not the bad guys, we are doing the best job we  
  • can to report fairly and, and as accurately as  possible, what the news is of the day, and we have  
  • opinions. opinions are just part of the operation.  The actual news reporting is something that's very  
  • basic and needs to continue. So that reporting  reflects who we are, what our nation is, and who  
  • our citizens are in the United States are  and, and we have built up a diverse nation  
  • back, but dating back in the 1800s 1900s. We are a  diverse nation, and we are a strong nation because  
  • of that diversity. And we need to continue that  and make sure our newspapers are reflecting that.
  • Speaker 1: Are there anything, any points that you  
  • would like to make or anything that I didn't touch  on one that you think it's important to note?
  • Speaker 2: Nope, I've just been as proud as one can be  
  • to have been involved in this industry,  to have been afforded the opportunity to,  
  • to help in my small way. where we are today to  help find young people to teach young people I  
  • was going to be a high school journalism teacher.  I decided early on that yes, I can be a high  
  • school journalism teacher or an English teacher  at that point doing the high school newspaper as  
  • a sidebar. But I chose to go into the  newspaper business itself. So yes, I  
  • am early thinking about being a teacher, my  mother was a teacher, you know. So that's what  
  • my motivation was to be a teacher even  though I'm working in a newspaper company.  
  • How do you be a teacher? You try  to run programs that will help  
  • prepare young people to be future journalists.  My two loves are teaching and journalism.
  • Speaker 2: 
  • And you encountered that in that whole process,  once again, hundreds of people and affected 1000s  
  • of students who were considering journalism  as a career or going are actually planning  
  • to go into journalism as a career and some of the  people that you met and knew that impressed. You.  
  • You chose Sam Adams, Professor, African American  from Kansas, Kansas to run a training program  
  • and phrases at Temple University  who brought 1000s of kids,  
  • many hundreds of kids, if not 1000s of young  people through his internship programs. And  
  • names and we heard at a luncheon earlier today.  And outfits, Patrick Akron Beacon journal aysel,  
  • more Philadelphia Inquirer, I can go on and on  and on about the people who I was able and had the  
  • honor to rub elbows with and share a beverage with  occasionally at various conventions, and people I  
  • work very closely with over the years, Jerry sasse  with the Gannett Foundation, who was an enormous  
  • person, encouraging young people and working  with journalism educators over the years,  
  • working with other foundation directors and  newspaper editors, Newspaper Publishers,  
  • journalism Dean's all over the country who shared  this goal of finding the best most talented  
  • young people we can find for the news industry.
  • Speaker 1: Okay, it was my honor.  
  • Thank you very much. We appreciate you  spending time I appreciate you to say that.  
  • It was one of the mentors that I had that was  bringing you on to the staff of the newspaper  
  • fund when I was director you And that was  awesome. I learned I'm so proud of you.
  • Speaker 2: Thank you very much. Thank you